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Willy Russell Interview
Posted on 28 September 2004. © Copyright 2004-2024 WriteWords
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WriteWords talks to Willy Russell, one of the most successful English playwrights. His most famous plays and films include Shirley Valentine, Blood Brothers and Educating Rita, where he used his background as a hairdresser to some advantage. He grew up in a family of women and his work has often focused on strong but often invisible women. He is also an acclaimed musician, songwriter and screenwriter and his first novel, The Wrong Boy, came out recently.
Biography:
Willy Russell's plays have been performed in countries across the globe
and have won
countless appreciation and creative awards as well as academic honours.
Since their
premiers plays such as EDUCATING RITA, STAGS AND HENS, SHIRLEY
VALENTINE,
BREEZEBLOCK PARK and OUR DAY OUT have been in constant production
throughout the
world. Twenty years after it first opened there in 1983, the revival of
BLOOD
BROTHERS is still playing to large and enthusiastic audiences in
London's West
End. Much more detail at www.willyrussell.com
How did you start writing?
Began as a songwriter after having been influenced by seeing The Beatles in their pre fame days when I was 14 and in the D stream of a secondary school, nursing a secret desire to write. I thought that to do real writing, you had to wear tweeds, smoke a pipe and come from somewhere called Oxbridge. It seemed to me, though, that anybody, from whatever background, could write song.
How did you turn to stage writing?
I found my way to writing for the stage through a series of journeys, including one where I saw the work of John McGrath as the Liverpool Everyman Theatre and another journey which took me back to education in my early 20s when I studied drama. I had begun submitting my first attempts at TV scripts and, at college, wrote a one act play to meet a gap in the second year production schedule. I immediately knew that this one act play worked – in a way that nothing else of mine had, so far, really worked. I think I liked the difficulties posed by the stage; liked, and responded to, the problems of dealing convincingly with time and with space and with finding ways to believably bring the action into the view of the audience. I didn’t know it then but I think I was also responding to the fact that theatre is a potently poetic medium and not, for one second here, do I mean flowery and excessive verbiage - quite the reverse. Theatre is an absolute distillation, a place in which the imagination can soar.
Who are your favourite writers and why?
In no particular order, Bob Dylan, William Shakespeare, Alan Bennett, Alan Ayckbourn, Anon, Lennon & McCartney, Robert Browning, Brian Patten, Randy Newman, Noel Coward, Bertolt Brecht, John Irvine, Joni Mitchell, Billy Connolly, Charles Dickens, and many, many, many, many, more. And they’re all favourites because, in their various ways, and often through laughter, they all move me deeply.
How did you get your first commission/agent?
I got my first agent, the legendary Peggy Ramsay because, after being treated very shabbily at a Radio Times Awards competition and luncheon, I thieved a bottle of whiskey and left the proceedings feeling patronised and enraged. On the pavement below, I was intercepted by the writer Hugh Whitmore, who was extremely sympathetic and as outraged as me at what had gone on (with the Radio Times Drama Awards, not the robbed whiskey!) and who offered to immediately take my script to Peggy Ramsay.
My first commission was for the BBC way back in a time when the BBC was able and more than willing to take chances on young writers who were showing some promise. I wrote a half hour play for their Second City First series. Apart from play publications, my first publisher was Transworld, who published my novel The Wrong Boy in 2000.
What's the worst thing about writing?
Having to answer questions about it.
And the best?
When you know you’re doing it right.
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Comments by other Members
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 old friend at 14:55 on 28 September 2004
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What a wonderful interview with such a talented man. There are so very few truly memorable writers whose minds must be humming with words and music. Thanks.
Len
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Harry at 15:46 on 28 September 2004
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Willy Russell - legend.
<Added>
Wow! I got to say it twice.
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Fieth at 01:07 on 03 December 2004
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I think Willy Russel is a beautiful and talented writer. I was on a Greek Island some years ago and a predatory Grrek offered to show me the stars. "I can see the stars from here" I said, "They are right up there" "I can take you to other side of Island in my boat", "I chose to come to this side of this island" I said. "You are beautiful English Lady" he said. "As a woman I have no country. As a woman, my country is the whole world". I said, "Not woman!" He said, "Lady, Lady" etc while my daughters of 12 and 15 watched in terror!! I loved "Shirley Valentine". I saw in on stage in London. Saw "Blood brothers twice".
Thank you Willy. Keep writing.
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 MasonCroft at 11:20 on 29 October 2020
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Julie Bindel is an amazing writer. I like the writings of this writer very much. This writer writes according to the situation. Also you need to get Custom guitar picks to learn more about this. Writing is like a passion for me and this interview posted by the blog has done much work in helping me in my passion.
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Trevizo52 at 11:38 on 05 March 2024
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In the realm of Russell interviews, the focus often transcends traditional questioning, delving into unique aspects that define individuals and their experiences. Whether it's probing into career achievements, personal philosophies, or future aspirations, a Russell interview stands out for its depth and insightful exploration. Moreover, Russell interviews frequently navigate unconventional territories, seamlessly incorporating unexpected inquiries that bring out the authentic essence of the interviewee. It's akin to embarking on a journey where unexpected currents reveal hidden facets of character and perspective. The phrase find boats for rent might weave seamlessly into a Russell interview, prompting intriguing discussions about leisure activities, travel preferences, or perhaps even the desire for a unique adventure – showcasing how Russell interviews possess the knack for uncovering stories beyond the surface, creating a captivating and engaging narrative.
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