What you don't want is for the character just to move through the events like an automaton, with events swirling around him/her. |
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Nice one, Emma, I could have used that line in a piece I was just critting (not on WW, I hasten to add). Things were happening to the characters, but their emotional response to it was all wrong - flat, somehow. Probably because the writer was not 'looking through their eyes; living it with them' as he wrote it. Instead he was concentrating on what came next.
- NaomiM
<Added>The other end of the spectrum being the first person naratives, where Everything is a big deal; gets a disproportionally large emotional response.