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  • Data on how authors made first novel sale, etc
    by Terry Edge at 15:53 on 24 November 2010
    I posted this some time ago, but I think it's worth repeating, partly for new members and partly because Jim Hines has added to it since then.

    I don't agree with all his narrative conclusions, e.g. that the data shows the myth that you must sell short fiction before you sell a novel is 'busted': well, yes, but it also shows that nearly half the authors surveyed had sold short fiction first.

    But it's interesting stuff.

    http://www.jimchines.com/2010/03/survey-results/#Data

    Terry
  • Re: Data on how authors made first novel sale, etc
    by chris2 at 21:18 on 24 November 2010
    Yes, it's certainly worth re-visiting.

    Regarding the question of selling short fiction first, might it be that there is some skew because the report relates to the USA? I haven't a clue about SF/Fantasy there, but in general fiction it's my impression that short stories have always been much bigger commercially than they have here. Some of the biggest American sellers in the early/mid 20th Century were the likes of Saki, O'Henry, Thurber, etc. Does this suggest a larger market altogether for the short story than is available to us here? If so, more authors might be likely to achieve publication of several short stories than could be expected in the UK.

    Chris
  • Re: Data on how authors made first novel sale, etc
    by Terry Edge at 09:55 on 25 November 2010
    Chris, you're right, the market for short fiction is much bigger in the US than here (even allowing for the greater size of the population). And markets for short SF are probably greater than for any other genre (with Fantasy probably in second place), unless you count literary/mainstream as a genre. But in the UK we only have one pro market SF magazine (Interzone). However, it's not a problem these days for UK writers since it's easy enough to submit to US markets. Perhaps because of the universal nature of a lot of SF (and more so, Fantasy), US magazines are happy to publish UK writers if they're good enough.

    Interestingly, Jim Hines wrote up his report in the recent handbook of the SFWA. In the very same book was an article by an editor at Tor who said he read a lot of short SF fiction and had quite often contacted an author to ask if they had a novel he could see. Which, despite the report busting the myth that you must sell short fiction before selling a novel, I would think is a pretty good reason in itself for trying to place a few short pieces in good magazines.

    If you haven't already explored it, take a look at the wonderful short fiction markets site, Duotrope (http://www.duotrope.com/).

    Terry