Interesting take by agent Clare Alexander, on the new climate for the old chestnut of whether it's better to be published by one of the big, mainstream houses, or one of the independents:
In
The Bookseller, talking about the fact that the standard smallish advance for a new author from the big houses is now so small that there's little advantage in signing with Megabooks for that kind of sum, she said this:
"A modest offer puts an author within easy reach of the independent publishing sector, and it could be argued that a book will get more attention with them than appearing way down the list within a bigger house. What's more, smaller houses are more likely to submit a book that is not a major lead for those vital prizes and promotions, while reps might think it worth subscribing [= pushing at bookshops].
There is no doubt that the market is tougher than I have ever known it. There is also no doubt that over the past decade or so some advances had often ceased to represent proper value as an investment for the publisher. In this climate, it has become harder for an agent to argue a financial value for reputation when it is not backed up by sales. But there is a real danger that the big corporate publishers polarise their activities between the big brands that, largely, only they can afford, and the smaller books that get no attention whatsoever.
In these circumstances, an author would be well advised to head to the independents.
For an agent, helping their author to navigate uncertain times, it is more than likely that the established authors will be moving in one direction, while developing talent will be going the opposite way."
Full post here:
http://www.thebookseller.com/blogs/90216-poles-apart.html
Emma