to get the best out of a one on one relationship, the writer needs to have developed the confidence in what they want to say - sometimes part of hearing criticism is knowing when to ignore the parts of it that aren't useful and relevant to you. |
|
I think this is very true, as is Cherys original point. one-to-one works best when you have a very sure sense of what the book is, which is hard to develop as a beginner writer, because you may have a clear sense of what you want to do, but not whether you've done it, or whether it's worth doing...