Hi Vaughan, and welcome to WW.
You could get hold of the Children's edition of the Writer's and Artist's Yearbook, which is full of good information about lots of this stuff.
These are my take on your questions - others will be along shortly, I'm sure.
Do I send off the stories to 20 publishers without any personal contact? |
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Yes, unless you decide to try for an agent first.
With children's it's not essential, but they will have the personal contacts you don't have - knowing which editors will be interested, knowing how to pitch it, perhaps helping you to refine it (beyond the point that you thought was perfect and finished
, because you didn't submit it till then) so it's even more saleable; knowing how the trade works and negotiating with the trade from a position of knowledge and experience.
Some publishers (though fewer in Children's) only take submissions from agents, not direct from writers, so an agent opens those door for you. In the long term, a good agent who loves your work, can perhaps help you develop it further, and is committed to you in the long term is the nearest thing you'll have to a best friend in the trade.
The downside of getting an agent is finding an agent - they only take on writers they think they can sell, because that's how they live, and it's always possible that they turn you down, when a publisher would have taken you on - and it's not uncommon in children's, especially, to get interest from a publisher and then get an agent on the back of that. And of course they take 15% commission.
Because an agent will be less interested in your work if you've already been rejected by publishers (those publishers are no longer an option, IYSWIM), it would be usual to try agents first - they will always ask who's already seen it, and you need to be honest about that. But there's no law about it.
Do I self publish (whatever that is) or are there other methods available?
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Not if you want to be paid rather than paying, to publish a professionally-produced book to be available in shops and all online outlets, with editorial, publicity, marketing and sales backing, and the possibility of selling international rights (very important, I gather, if you're writing picture books as they're so expensive to produce that it's hard to get them taken on unless they can be published in translation in lots of places)
I have not had the stories illustrated yet, should I do that first?
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Generally, publishers prefer to choose their own illustrators. Unless you know a professional illustrator who wants to collaborate with you, and you can sell a real project together, you as the writer would just sell the text.
My aim, if I take the effort to try to have something published is to sell many books and enjoy others reading them. |
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The many books thing is the great imponderable, isn't it... You will almost always do that better through the conventional channels, than self-publishing: the rare, runaway success is vastly outweighed by the hundreds of thousands who sell hundreds of books. It's easy enough to produce books, and now to make them available. What's hard is getting people to want to buy them.
I need some good basic information to get started, many thanks for any help. |
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This is Children's WAAYB:
http://www.amazon.co.uk/Childrens-Writers-Artists-Yearbook-2012/dp/1408140063
(not sure when 2013 will come out - but libraries often have this)
and this isn't so much focused on Children's, but is the best guide I know to the practicalities of getting published and the publishing trade, from the author's point of view:
http://www.amazon.co.uk/Writers-Artists-Yearbook-Getting-Published/dp/1408128950
<Added>The other thing I meant to say - and there are lots of others on WriteWords who know MUCH more about this than I do, is that the children's market is very stratified into known segments, depending on the age of the child it's aimed at: subjects, length, reading-level, how much and what kind of illustrations, and so on. It's one thing an agent might help with, but you do need to be working within those boundaries from the off, if the trade's going to be interested.
You might find Nicola Morgan's blog useful - she's a hugely experienced writer for all ages of child, and a goldmine of practical advice. This is the children's-and-YA bit:
http://helpineedapublisher.blogspot.co.uk/search/label/Children%27s%20and%20teenage%20writing