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The Ballad of Lefty and Ned

by didau 

Posted: 05 June 2003
Word Count: 1161
Summary: Two ne'er do wells come to a fitting end. This might be confusing as it's written in several tenses and uses 1st, 2nd & 3rd person narrative. Gibber!


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Content Warning
This piece and/or subsequent comments may contain strong language.


I want to tell you a story, but I’ve got a job to do. This endless bloody paperwork!

Now: there are these two blokes sitting at one of those small round tables in the back of the Dog & Duck – yeah, I know it sounds like the start of a bad joke. These fellers have their heads together and are deep in discussion. If you listen carefully you can catch snippets of stuff about radical left-wing politics and counter insurgent protest groups and anti-globalisation demonstrations and… well, you know the sort of thing. They’re quiet and intense and keep glancing around furtively – thick as thieves? Sure it’s a cliché, but it works. Thick as thieves – all unshaven, darting eyes and tight, controlled hand movements. The one on the left – let’s call him Lefty – is a big chap – not quite overweight, but working on it. He’s wearing a 70s style, belted leather jacket and a black polo neck Gap sweater. He’s dark: dark hair, dark eyes, dark thoughts. Thinks he’s a bit tasty and no doubt one for the ladies.

The other feller – I’m going to call him Ned, after a character in a poem I once read about two gormless bankrobbers – is shorter, wiry, thinning sandy hair and little rodenty eyes. He’s wearing wire-rimmed glasses and a beret and is waving a filterless French cigarette. All he needs is one of those T-shirts with a print of Che Guevara’s face – you know the type? Course you do. He looks like he thinks he’s the boss – the brains – in a De Montfort University type way. I don’t know, maybe he’s not, but he’s got that ‘smart arse’ look about him – probably because he’s insecure and suffers from chronic low self-esteem. I’m sure you’ve met his type before: probably selling Socialist Worker.

Right: they’re getting more and more animated and less and less careful and if you crane your neck you can just about make out what they’re saying…

Lefty: Who?

Ned: Can’t tell you old son – need to know, init?

Lefty: Shat ahp – who is it?

Ned: Ask me no questions, me old china.

Lefty: Who the fuck is it you runty little fuck, and drop that mockney bollocks before I slap ya.

Ned’s irritated and his prides been hurt. He needs to reassert his dignity and dominance.

Ned: That chap Craig we met at the Justice for Afghanistan demo last weekend. Called me up, offered us a grand for a night’s work. I told him we weren’t interested in personal gain. Told me to consider it a donation to the cause.

Lefty: That skinhead geezer? You twat! He don’t know nobody – he’s pulling yer plonker, in he?

Ned: Is he? Is he indeed?

He pulls out a creased once white envelope from his inside jacket pocket, opens it, thumbs a respectable wad of used twenties and looks very pleased with himself as he does so.

Ned: I’ve got a thousand reasons for thinking he’s not.

Lefty reaches for the envelope, but Ned tucks it safely away.

Lefty: [whistles softly] Nice one. So, what’s he want done then?

Ned: Wants us to torch that big warehouse on Peartree Road.

Lefty: He’s givin’ us a grand to [makes exploding noise]?

Ned: Yup! All for a tiny little pyrotechnic displ-----.

Lefty: Shhhhh!

Lefty looks round the room, stares at you briefly, sharply. You look away, take a sip of you pint, turn back to Page 3 and have another look at those tits. Lefty turns back and glowers at Ned. Ned’s eyes flick over to you and he nods, almost imperceptibly. Shit! You shrug, down the pint, tuck the paper under your arm and leave.

I tighten my focus and continue…

The pair of them are hunched over the table, heads together, anxious. Lefty looks stubborn, square jawed – keeps shaking his head; short, jerky shakes: no. Ned’s wheedling, trying to sell him something. Never a salesman though: negativity writ large. The conversation stops – they both sit there, brooding. Then, OK, Lefty shrugs. What the fuck. They get up, leave their drinks and go.

I bang on the glass partition. You nod and start the engine.

They’re back at Ned’s flat and are planning this job that ‘Craig the skinhead’ (have to keep an eye on him) has put them on to.

Lefty: Hold on a sec, what’s in this warehouse anyway?

Maybe this one’s brighter than he looks.

Ned: Craig reckons it’s where they keep all like police files and government records and all that – we’re gonna be bringing down the system, Comrade.

Lefty [looks levelly at Ned]: And you believe that do you?

Ned: Sure, course. They’ve gotta keep them somewhere, haven’t they?

Lefty [shakes his head slowly and sighs]: You pillock! Everything’s on computer these days. They don’t keep their records in a bloody warehouse in bloody Hackney!

Ned [sulky]: That’s what they want you to think.

Lefty: Well for a grand I suppose it doesn’t fucking matter what’s in there, but don’t you go blagging yourself it’s for the good of the cause. That Craig’s about as dodgy as they get. [pause] So how we gonna do it then?

Ned: Right, well, its got to look amateur, you know – sort of like, spontaneous, you know? Part of the demo. So I suggest Molotovs. They’ll do the business, they won’t look professional and well; it’s the revolutionary’s incendiary device of choice, init? Marx’d proud of us.

Lefty: Yeah, yeah. Well, I suppose that’d work. OK, yer on.

Ned produces a three-quarters empty bottle of Famous Grouse, two glasses and a red plastic petrol canister. Under the table is large metal canister containing more petrol and about a dozen empty bottles. He pours them both a generous shot of whiskey and swigs back the little that remains in the bottle: Your very good health. Lefty knocks back his shot and unscrews the cap of the petrol can. He sniffs at it and then carefully starts to pour it into the empty whiskey bottle.

Ned has put a tape into an old cassette player and is dancing round the kitchen to the strains of Going Underground. He lights one of his Gauloise and joins in with Paul Weller, Na na na na, na na na na. Lefty wipes the rim of the bottle with a kitchen jay cloth and then conscientiously mops up the spilled petrol on the tabletop. Finally he wipes his hands and drops the now sodden cloth into the ashtray. Out of the corner of his eye he sees Ned apparently about to flick his cigarette stub into the self same ashtray, but of course not even Ned’s going to be that stupid…

The cigarette arcs end over end between them and in his rush to stop Ned, Lefty’s arm knocks over the bottle that once contained Famous Grouse whiskey.

****************************White noise***********************************************








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Comments by other Members



tweed at 17:40 on 05 June 2003  Report this post
This would make a good short movie. Like your style d.

Becca at 20:30 on 05 June 2003  Report this post
This moved, had pace. I wondered who the person called 'you' was, 'I banged on the glass partition. You nod and start the engine.' Do you need that at all?
Being a typo queen, but not in my own work, I found you some:
'his prides been hurt.' pride's.
'thick as theives.' thieves.
'and you believe that do you?' .. believe that, do you?'
'Marx'd proud of us.' 'be'.
It wasn't as confusing as you imagined, unless I've missed something?

stephanieE at 11:14 on 06 June 2003  Report this post
David
I liked this very much, some great descriptions of the pair in the pub - and yes, I do know the type. Your description of 'the brains - in a de Montfort University type of way' made me laugh out loud.

I assumed that the 'you' was an undercover copper perhaps? Although the Point of View seems to skip about a bit and we're not sure if we're seeing it from a narrator's POV (who might be the copper, reflecting on the causes of this explosion) or a god-like camera POV.

I get the impression it was something of an outpouring of ideas,(and Becca has helpfully spotted the typos...) and if you worked on it a bit, it could make a great short.

Marvellously evocative - good luck.


Sarah at 12:02 on 06 June 2003  Report this post
Hi...

I liked the way you set this up bringing the reader in as a character, but then you dropped it! It didn't seem to have any point in the story. I once wrote an entire story in second person, and I think it worked because I carried it through to the end. Some of the people who read it told me it was jarring at first, but they got used to it, to like it even.

What you've done is to get 'me' into it, then you drop me! Not fair! There needs to be a legitimate reason to do something so unconventional as second person -- what's yours?

These two characters are comedic, a sad end for the poor boys. One thing thoguh, though you've described them quite differently physically, it's difficult to tell their voices (personalities) apart. A good little exercise you can do is to write a list of 20-odd questions you would ask your characters (eg: what's your favourite song? where would you like to live? what kind of person do you love? and so on) answer these questions for your characters and that will flesh them out for you in your head, then you can write them better!

I liked reading this because the pace is great, the atmosphere is great, and though it ends with death, the tone is light. Good job!

Sarah

didau at 13:54 on 07 June 2003  Report this post
Thanks all for comments.

I'm particularly grateful for the proof reading - I'll make corrections shortly.

The need for justification for 2nd person raises some interesting questions in my mind - you're right - I do drop 'you' - I might see about altering that.

also the comments about voices/personalities is a good one - in my mind they sound quite distinct but obviously that doesn't come across so I might try the exercise you suggest.

many thanks for such thorough and in depth analysis - I'm flattered you all took the time


david

poemsgalore at 18:35 on 09 June 2003  Report this post
This is bloody brilliant. I was on the edge of my seat all the way through, then nearly wet myself laughing when I reached the end.

bjlangley at 10:23 on 26 June 2003  Report this post
Very enjoyable tale, but I did find the changing person a little odd. Other than that I liked the style and pace of the piece.


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