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The Greenhouse Effect

by nickb 

Posted: 12 June 2017
Word Count: 186
Summary: Been a while sorry, hopefully back to it now. This is a re-working of an old idea. Not entirely sure if it's finished yet.


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It was his ritual before
closing up to shut the vents,
give the paraffin wick a
quick quarter turn, and stack the
pots like a terracotta
army. Garden labels and
bits of twine tidied in a
jumbled corner; a long last
check of his burgeoning
green shrine, cosy in its thick
fug, warm as a thunderhead.
 
His jacket, slung over the
rake’s end like a bad scarecrow,
slowly turned feral.  Once smart,
it’s faded pinstripes became
a different costume, in
a world without angles, one
where his Mother hadn’t died
when he was nine. The smell of
it clung to my own childhood,
the comfort of sweet compost
and green tomatoes on the vine.
 
Here, once, I saw him weep when
his wife was taken ill, his hand
suspended on the door jamb.
On another day, loaded
by a winter sky, he earned
a child’s kiss, which he tucked in
his jacket pocket with the
penknife he used for cuttings.
 
Amongst gluts of fuschia buds,
seed trays, begonia corms,
he was held steady by the
mellifluous weave of
growing things, the poetry
of their low acoustic.






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Comments by other Members



V`yonne at 15:40 on 12 June 2017  Report this post
Well it's certainlt very beautiful, Nick. There is so much I love about it and the first beat that struck me was the lovely alliteration of

give the paraffin wick a
quick quarter turn, and stack the
pots like a terracotta
army.

I like the creativity of the ritual and also its military aspect.
Again the disorganised nature of tidying up in

bits of twine tidied in a
jumbled corner

strikes a perfect, very human note, in keeping with the feeling of the poem. And there are real gems here

warm as a thunderhead.

and

His jacket, slung over the
rake’s end like a bad scarecrow,
slowly turned feral.

I really love that.
I can really feel this man's goodness and love of simple things in

On another day, loaded
by a winter sky, he earned
a child’s kiss, which he tucked in
his jacket pocket with the
penknife he used for cuttings.

and the way this turns to the poetry of things -- the metaphor of growth, suits him well.

I thought maybe the first two lines could be split differently for ease of reading
 

It was his ritual before closing up
to shut the vents,

and maybe you could lose the word one in

a world without angles
where his Mother hadn’t died
when he was nine.

I liked that use of angles as change of direction. It works well.

All in all a lovely poem filled with empathy and love and with no trace of sentimentality -- just depth of feeling.

James Graham at 16:11 on 12 June 2017  Report this post
Good to see a new poem, Nick. I'll post a comment soon - not so much a critique maybe as an enthusiastic review! I certainly second Oonah's summing-up:
a lovely poem filled with empathy and love and with no trace of sentimentality -- just depth of feeling
James.
 

nickb at 11:02 on 13 June 2017  Report this post
Hi Oonah, many thanks for your thoughts on this one.  I think your suggestions for trimming are spot on and I'll incorporate these into the re-draft.

Nick

V`yonne at 15:52 on 13 June 2017  Report this post
smiley I also have to say, the more I read this the more I get out of it like the maturity of


the comfort of sweet compost


and the naivety of

and green tomatoes on the vine.


James Graham at 21:19 on 13 June 2017  Report this post
Oonah’s praise is well justified. It’s an exceptional poem. You portray this man and celebrate his life in a way that is very moving. Your (or the narrator’s) respect for him comes across very strongly, and that’s moving too. To be a little more specific, I’ve seldom come across a better example of how to put into practice the old advice to poets: Show, not tell.

By describing in vivid detail his everyday routines such as adjusting the paraffin heater and tidying odds and ends a little untidily, as well as the distinctive and very meaningful ‘feral’ jacket, and so on, you show us his life – the aspect of it that was important to him. Not only that, you show us, rather than tell us, how he dealt with adversity, and how he kept ‘steady’, kept his emotional balance and avoided lapsing into depression, perhaps.

You maintain this concreteness all the way through the poem, as in the way you have him keep the child’s affectionate kiss in his pocket ‘with the penknife he used for cuttings’, and in your summing-up in the last stanza the very specific ‘fuschia buds, seed trays, begonia corms’.

I should add that I don’t think this is a portrait of a greenhouse recluse, a man who for the most part can’t be bothered with other people and takes refuge among his dumb plants. Again you show us this is not the case, especially in the moment when he ‘earned a child’s kiss’. It’s easy to surmise from this that he related well to children generally. The narrator as a child clearly kept him company on many occasions. He was far from being the sort of man who would send children packing.

There are so many outstanding passages, but I must quote this one first:
Here, once, I saw him weep when
his wife was taken ill, his hand
suspended on the door jamb.

This perfectly captures the moment. When we witness something like this, very often there’s one detail that stays in the memory for the rest of our lives. Much else is forgotten, other details of the surroundings, whether or not it was raining that day, but that one sharp memory – his hand ‘suspended on the door jamb’ – is imprinted and won’t disappear with time. These lines have more than enough power to make the reader feel the same sympathy that the narrator clearly feels. I’m still harping on about showing not telling, but here again we have a very striking example.

Well Nick, I have to finish now, but there’s more to be said. I feel there may be a handful of individual words here and there which are OK but even better alternatives could be considered. It’s a very fine poem that surely must sooner or later find an outlet and a readership.

James.

Cliff Hanger at 09:33 on 14 June 2017  Report this post
Hi Nick

I can only add to the praise for this poem. What I like about it most is that it's connected to the entire environment but forms its own, like a little bubble. I think the title is clever in that regard.  Unlike our understanding of the greenhouse effect, this one begins as completely postive and self-contained. What I particularly loved is the way you introduce the difficult side of human experience. That's very subtly done and acts as a perfect counterpoint to what might otherwise be somewhat bucolic or romanticised. So many great images. Pots like the terracotta army that's brilliant and his jacket going feral. You can see and feel that experience. 

A poem that has deep meaning about not just about personal engagement with our created environments but the environment as a whole.  The only thing I didn't understand was the thunderhead. I wondered if it might relate to a variety of lettuce as well as a building thunder storm but I haven't come across that term before.

So great. I could read it again and again.

Jane

nickb at 12:05 on 14 June 2017  Report this post
Hi James and Jane,

many thanks for your very kind comments.  It is of course a picture of my father who loved his greenhouse when we were growing up in Surrey.  He used to commute to work every day on the train and I think this was his little piece of sanity whilst at home.  It was the scene of some of my clearest early memories as a child, and to this day I can't walk in to a greenhouse without being reminded of it.

Nick

James Graham at 16:56 on 14 June 2017  Report this post
Hi Nick – Here are a couple of odds and ends I’ve picked up, things you may consider changing. In most cases it’s fifty-fifty, you may decide to leave it as it is, but I’ll run them past you anyway.

I don’t really agree with Jane about the title. To me it reads like a play on words, a double entendre on the common phrase to do with global warming. Almost a joke. When I first read the title I expected a poem about climate change! Of course, if any other reader had that thought it would be dispelled after the first few lines. But you might want to reconsider the title: something more suggestive of the man himself?

‘Loaded’ in the third stanza seems not quite right. Of course it means he was in a low mood, rather oppressed by the winter sky. Would ‘laden’ be better?

‘Mellifluous weave’ – I wondered if something more specifically musical could be used here. Piano, dolce, pastoral. A very tentative thought.

Finally, ‘it’s faded pinstripes ‘. change it’s to its! Surprised you haven’t noticed that!

I think I’m trying too hard to do my job as ‘site expert’ and find things to revise. See what you think anyway. I’m still re-reading this poem and finding things to reflect on, things to admire.

James.

nickb at 17:13 on 14 June 2017  Report this post
Thanks James, food for thought.....and to think I'm always telling my kids off about stray apostrophes!

Nick

Cliff Hanger at 17:14 on 14 June 2017  Report this post
It's tender. A portrait of one individual yes but I also read it as something universal to do with the environment. I didn't read it as a joke at all but can see the potential for misinterpretation so James's observation is probably correct.

Jane

dianadevlin at 22:03 on 14 June 2017  Report this post
Oh my goodness, what can I add to the praise above, Nick? Only that I really like the poem, I suppose. It makes me think of my nature loving grandfather in Tuscany and I can really picture the man in the poem, sense his humanity and oneness with his surroundings. Some striking imagery, like the jacket turning feral - I love it! I won't waffle on but I wanted to say how much I had enjoyed this poem - thank you.

Mickey at 13:49 on 23 June 2017  Report this post
Hi Nick,
Thank you for commenting on my last post. I haven't written anything for ages so have not been keeping up with everyone else's work!  Like all the others, I really like this piece but for probably more simple and superficial reasons. It reminds me of the days of Percy Thrower and 'Adam the Gardener' before television armchair gardening become popular. You wouldn't see Percy in anything other than a formal jacket and tie!  My Dad pottered in his greenhouse and the references to plant labels and twine is very nostalgic (I've just cleared out my own greenhouse, but it's missing several panes of glass). I too loved the idea of your Dad's pinstripe jacket reverting to the wild now it was no longer required for the daily commute to the City and the low acoustic of growing things. Brilliant piece. Very enjoyable


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