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Faith of the Heart

by jim60 

Posted: 29 May 2010
Word Count: 2005
Summary: Not sure if this is going to work. If not, I'll take it down again. My WIP and ongoing for a long, long time...


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Content Warning
This piece and/or subsequent comments may contain strong language.


Pausing at the bottom of the stairs, a breath. Looking around and then up, slow steps and a stop, taking her shoes off, Helen sighs and what awaits is the bedroom and the quiet and this isn’t what she wants, something she shouldn’t have said but she did and Christina has gone.
One of those comments that came out all wrong and her hope that she hadn’t said it and the next moment, Christina just turns away and leaves.
At the bedroom door and looking at their bed, a look to her left, to the en suite and another hope that Christina would be there, her playful giggling, watching her brush her teeth. That hope is gone too. There’s no one there, just shadows.
Closing the curtains, putting her shoes in the wardrobe and seeing the empty spaces, the empty hangers where Christina’s clothes should be, no hope of seeing them, but what’s here is her black dress, leaving that, as if she’s telling her she doesn’t want it or her and so suddenly, how cruel this all feels.
Helen sits on their bed, reaching over, her hand touching her pillows, imagining her head there, and that brings a soft smile, Christina would never sleep there, always on Helen’s side, cuddled up to her and her breathing that was so soft, so wanted and as she unbuttons her blouse, like she can hear her voice, ’Are you coming to bed?’ and a sudden rush in getting their clothes off, to either make love or just hold each other and talk, soft sounds of their voices that seem so far away.
Turning off the lights, lying on their bed, the dark doesn’t hold any comfort, not now.

Sandra’s fingers follow the curve of her bra over her breasts, just touching her skin, a sudden and almost violent reaction as she steps back, her head dropping, refusing to look at her, ‘Christina…’
A shake of her head, and trying to turn away, Sandra quickly reaches out and grabs her arm, ‘Hey, what is it?’
A soft voice, ‘I can’t, I’m sorry.’
Sandra lets Christina’s arm go, ‘Oh and I thought you were up for this, so what’s wrong?’
Christina doesn’t look at her, reaching down for her top, ‘You’re not her.’
A laugh, ‘No, I’m not her, I’m me. So who the hell is she?’
Now Christina looks at her, her bright green eyes so startling, ‘She is Helen and you’ll never be anything like her.’
An angry sigh, Sandra adopting a hand on her hip stance and watching Christina pull her top on, ’Why don’t you just fuck off back to her then.’
Christina stops by the door, grabbing at her jacket, ‘I can’t. She doesn’t want me.’
‘I do, I want you!’
A slow shake of her head and opening the door, ‘I can’t, don’t you see, I’m hers, I can’t. I’m sorry.’
Sandra turns her back on her, ‘Were you playing a game with me?’
‘I had to find out, I had to know.’
‘Well now you do. Would it help if I changed my name?’
‘That’s not even remotely funny. I love Helen.’
‘Oh, really?’
Christina softly closes the door behind her.
A whisper as she starts down the stairs, ‘Yes…’

April 2010,
London…


Standing at the windows, Helen’s hand on the glass, her back to her desk and she closes her eyes, Christina, please…
A sudden jolt, a reply from her, leave me alone.
Don’t, I’m sorry, I didn’t want you to go.
Then you shouldn’t have said that!
I didn’t mean it, I shouldn’t have said that to you, please can’t we…
No Helen, I think you said too much.
I just want to…
Stop it, I told you, leave me alone!
Christina!

Nothing. The sound she heard has gone, what have I done?

Judy places the post on Helen’s desk, seeing her standing by the windows, ‘Helen?’ Softly spoken and perhaps, too soft, Judy says her name again, a little louder.
Helen turns and smiles at her, ‘Sorry, I was…’
‘Is there anything you need?’
A long drawn out sigh, a quick look down, ‘I would like Christina back, I don’t know what to do.’
‘Maybe if you called her, she might…’
Helen is shaking her head, ‘She’ll never forgive me for what I said. I was so stupid, I didn’t mean it.’
‘Would you mind if I asked you something?’
A bright smile, ‘Yes, of course.’
‘You do love her don’t you?’
A deep breath and she steps away from the windows, ’Love? I adore her and yet I did that to her, I made her go away and all I want is her… where did I go so wrong?’
Judy nervously turns for the door, having worked for Helen for almost two years, she’s never heard her talk like this, ’I shouldn’t have asked, I’m sorry.’
‘No, not you Judy, me.’
An awkward silence, Judy at the door, Helen at her desk. Judy smiles, ’Well, if there’s anything I can do.’
‘Thanks, I’ll let you know.’

September 2010,
London…

Closing the boot lid on her car, Helen turns, seeing the short blonde haired figure standing near the gate. A gasp and a step back, ’I’m going away.’
‘Yeah, I know.’
‘Have you come to say goodbye?’
‘No, we did that already, but you‘ll be back anyway.’
Helen smiles at her, ‘How do you know?’
Christina points to her forehead, ‘Sorry.’
‘I thought I asked you not to do that.’ Helen moves away from her car, towards the door, keeping her eyes on her.
‘Did you think I could just let you go?’
‘We haven’t seen each other in six months and you suddenly show up. Your timing’s a little off.’
‘Oh, do you think so?’
Helen stops at the front door, ‘Christina just stop it, okay? I don’t need this from you, it’s been tough enough.’
‘Yeah, it has. For both of us.’
‘Do you want to come in?’
‘Yeah, please.’
Stopping just inside the door, where they used to either share a kiss or a hug, only now they barely look at each other, Helen closing the door and leading Christina to the kitchen.
‘There’s some clothes of yours upstairs in the wardrobe, do you want to take them?’
‘Yeah, please. Could I borrow a bag?’
Helen laughs, ‘Haven’t we been here before?’
‘More than a year ago, when I first got out of hospital. We…’ Christina lets the rest of it go, there isn’t any need to bring that up.
Helen is smiling though, staring at the floor, ‘The first time we made love.’ Her voice isn’t aimed at her; voicing a memory, now she looks up at Christina standing by the worktop, like she’s done so many times before.
Helen switches the kettle on, ’Do you want to sit down?’
‘I’m not staying.’
‘I didn’t ask.’
Christina sits at her place at the table, and Helen sees her reading from one of her ‘Mog’ books, a subtle movement and seeing her lips move with her soft ‘Bother that cat!’ and a giggle and the book is gently placed on the table, always there, at that spot and although the table is clear now, Helen has put her books away, not in the library because Christina wouldn’t allow that, so the books are in what was their bedroom, Helen keeping them close by.
‘This is ridiculous…’ Christina’s whisper isn’t a whisper, Helen looks so sharply at her,
‘What did you say?’
‘You and me.’
Helen stands at the end of the table, ‘So what about you and me?’
‘The situation, Helen.’
The kettle boils and clicks off.
Helen grabs the last of the milk from the fridge, noisily closing the door, ’So how’s work?’
‘As bad as you can imagine it to be.’
‘I’m sorry.’
Christina picks at a place mat, ’Yeah, right…’
The milk is banged against the worktop, Helen suddenly turning towards her, ’Yes, I am sorry! I never meant to hurt you, I never meant for you to leave, I never meant to say what I did, is that enough apologies or would you like more?’
‘No, that’s more than enough, thank you.’
‘Are you hungry?’
Christina looks up at her as she places a mug in front of her, ‘No, no thank you.’
‘I have some..,’ a look towards the utility room, ’oh it doesn’t matter.’ Helen sits opposite with her tea, Christina smiles at her, ’Mark tells me your driving now.’
‘Yeah, I passed my test about four months ago. Arthur got me a Mini. It’s been fun.’
‘And work has been that bad?’
Christina puts her mug down, ’Tough…it’s been hard.’ Her fingers touch the pattern, her eyes looking at it.
‘You could come back and work for us again.’
‘Is that a joke?’
Helen shakes her head, ’Kate has been asking for you. She needs a researcher and she mentioned you.’
‘I don’t think it’s a good idea.’
‘Why not?’
‘You and me for a start.’ Christina sits back and crosses her legs.
‘Is that a problem?’
‘I’m not sure Brown and Ferrell is where I want to be. I’m happy enough where I am.’
‘That’s not what I’ve heard, anything but happy, Christina. The job is there if you want to talk to Kate.’
‘No.’
Helen picks up her mug, ‘Suit yourself.’
‘Yeah, I will. Working for BJC has been tough, but I’m getting there, it’s very different to what I did before.’ Christina finishes her tea, taking the mug to the sink.
Helen gets up and stands close to her, ‘Did you think that I could just stop loving you?’
A sharp look as Christina attempts to move away, Helen’s hand on her arm stops her, ’No, because I never did.’
‘Can’t we - ’
Christina pulls her arm away, and walks to the door, ’No Helen. Let me get my stuff and I’ll leave you alone.’
‘Why?’
‘Why what?’
‘What if I want you to stay, would you?’
‘So that we could hurt each other again?’ Christina shakes her head, ’No, I don’t think so.’
‘Christina…’ Helen’s voice has that soft tone about it, making Christina pause, ’turn around.’
She lets the door go and turns.
‘I’m sorry.’
‘Helen, you’re going to miss your flight.’
‘So what! So bloody what! I’ll miss as many flights as I have to so we can sort this out.’
‘No. We won’t. Excuse me.’
‘Don’t you dare turn your back on me!’
Christina smiles, ’So what did you have in mind? Do you want me to tell you why we should be together?’
‘Yes, because I’m in love with you and I know you still love me. Six months hasn’t changed that, I shouldn’t have let you go.’
‘Ah, but you did.’
‘Well, I was wrong.’
Christina shrugs, ’Yeah, well, these things happen.’
‘How can you be so blasé about all of this? It’s like I mean nothing to you and I know that’s a lie.’
‘Helen, let me get my things and you can go. We’ve done enough, I think.’
Christina walks away, leaving Helen looking at an empty doorway.

Christina stops by the front door, a large bag over her shoulder, Helen walks up to her from the kitchen, ’I’ve got all my stuff so have a good holiday, oh and happy birthday.’
‘Thank you.’
‘Okay, right, that’s me then.’
‘Can I see you, when I get back?’
‘Yeah, that would be nice, wouldn’t it.’
‘Christina…’
She opens the front door, ’Goodbye Helen.’
With that and a short walk away to her car, Christina is gone.
Helen wipes her eyes and pushes the door closed, it’s still there isn’t it…

The bedroom door is slightly ajar, Helen pushes it open and sees a pale yellow envelope on her pillow. She sits on the bed, looking at her name, Christina’s so neat handwriting, then opening the envelope, a simple birthday card, a single red rose on the front.
No message, just ’My love’ and signed, Christina.

(To be continued…)

















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Comments by other Members



LorraineC at 10:55 on 30 May 2010  Report this post
Hi Jim,
An interesting start. I think I'm going to have to get used to your style. It doesn't flow easily for me. Requires more concentration on my part to piece together what's happening.

A couple of observations though which may or may not help.

- The dialogue, particularly in the last part, is full on. It needs to take a breath. Can you introduce more narrative in between the dialogue. Also where's the emotion. It's just words.
- I assume Helen and Cristina can talk with their minds. It's not obvious whether Helen is daydreaming a conversation in her mind or actually having one. Maybe that's on purpose.

- Helen seems to be the guilty party at first, the one with regret, and then in the last section, it reads like she's the one that's been hurt. But then it switches again. I'm confused. Also why would Cristina have a big bag of clothes when in the first part she's just left a black dress.

Hope this all makes sense,
Lorraine

jim60 at 13:11 on 30 May 2010  Report this post
Hi Lorraine and thanks for your comments.
I can see that I'm going to have problems here, so I think for now, this can go back in its box and I'll run with something else.
Useful comments though, please don't think they're wasted, they're certainly not.
Thanks again,
Jim.


Demonqueen at 21:57 on 22 June 2010  Report this post
Hi Jim,

My first impression was that in parts you handled the tension beautifully between the two women. The dialogue was generally good and natural, though there were times where I thought there was too much and it lost me at a couple of points. However, I think with some refining you could really make it work, while cutting back on some of it. Later, after I'd thought on it some more, I wondered how this would sound if heard on the radio because it is so dialogue orientated, and I suspect dialogue is what you like to write most. Perhaps consider its value in this sense.

However, as a story for a book I think you need to give us a little more visuals on the environment we are in and make it a little clearer in places as to what's going on. A couple of examples:

Sandra’s fingers follow the curve of her bra over her breasts, just touching her skin, a sudden and almost violent reaction as she steps back, her head dropping, refusing to look at her, ‘Christina…’
A shake of her head, and trying to turn away, Sandra quickly reaches out and grabs her arm, ‘Hey, what is it?’


To begin with, it is written as if Sandra is doing this to herself, so it's confusing when she grabs 'her' arm and I had to reread it several times to work out what was going on.


Standing at the windows, Helen’s hand on the glass, her back to her desk and she closes her eyes, Christina, please…
A sudden jolt, a reply from her, leave me alone.
Don’t, I’m sorry, I didn’t want you to go.
Then you shouldn’t have said that!
I didn’t mean it, I shouldn’t have said that to you, please can’t we…
No Helen, I think you said too much.
I just want to…
Stop it, I told you, leave me alone!
Christina!
Nothing. The sound she heard has gone, what have I done?


I'm not entirely sure what's going on here - if they are texting each other by phone then that needs to be made clear.

I don't know at what part of the story this is but I had thought you would let us know what their argument was about - even if a previous chapter has covered this, you could still include echoes of the row in Helen's mind to ram home her deep regret of the outcome. I don't know about you, but if I've had a clanger of a row with someone I tend to dwell on what I shouldn't have said for some time, until I have moved on. Anyway just something to consider.

Oh, just read Lorraine's comments! Okay, if they are telepathic I would make some referrence to the jolt being in the brain/head area somewhere, just so we're clear they're not texting!! But then, if they are telepathic, wouldn't Christina have known how much Helen wanted her back, rather than saying she wasn't wanted?

Well, I hope that's a help for when you go back to it.

All the best,

Charlie



jim60 at 05:36 on 23 June 2010  Report this post
Hi Charlie and thank you for your comments.

Yes, I do tend to use a lot of dialogue and that's something I'm working on, I just happen to like it that way.
Sometimes it works and sometimes it doesn't.
However, as this has been pointed out before, it'll give me something to work on during the summer.

Thanks again, all been very helpful.

Jim.




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