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TORN PROLOGUE (2) REVISED

by Joella 

Posted: 11 April 2010
Word Count: 762
Summary: The prologue is essential to the story. It shows Ben's depressed mood due to a harrowing event and the story is about the journey that brings him full circle to this hollow point in his life.


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‘Life is a tapestry: every thread a journey, every stitch a footstep woven by memories, gilded by fortune and torn by tragedy.’

Ivor Field - Passchendaele 1917


TORN PROLOGUE


In the darkest hour before dawn, I lay haunted by malicious words that could not be true. Emotionally fragile, mourning a recent loss, I’d been trying to move on; trying to do the right thing: make peace with myself and live for my son. It wasn’t easy, but William had brought me back from the brink and with him, there was hope for the future.
With the sunrise came a new day, it should have brought a new world, but all that remain was the memory of yesterday: the agony of the moment my son was taken.

My mind trawled over recent events, tried to find a more positive perspective, but the will wasn’t there. I couldn’t stay here. My mother meant well, but I had an overwhelming desire to return home. Clambering out of bed, I stood to gaze into the night's sky. It had always been a great source of inspiration and comfort. But my eyes note only the darkness. It was black... Everything was black. Turning away, I pulled on some clothes, slipped into trainers and prepared to leave. I scribbled a note to say I was sorry, placed the folded paper on a pillow and crept out the back door. Borrowing the bicycle propped against the garage wall, I sped home, along narrow country lanes, navigating by moonlight.

Unlocking the front door, with tired tentative steps, I climbed the stairs to William’s room. His door was ajar and I stood wanting, but not wanting to enter. Desperate to fulfil a need, I crossed the threshold. It was chilling to witness that nothing had changed, when everything was different. Knelt by his bed, I smoothed his covers and lifted his favourite teddy. Holding it close, I longed to feel my son in my arms. To remember how only last night, I safely tucked him up in bed, kissed, tickled, told him I loved him, brought a lump to my throat. Eyes clouded as I recalled the moment he linked his arms around my neck to whisper,
“Night, night Daddy. Love you.”
Leaving his door open, carrying his memory with me, I crossed the landing to the rooms of two people, never more loved.

I was five when I came to live on my grandpa's farm. Tragedy brought us together, we became an intrinsic thread in each other's life and much of who I am is owed to his words and wisdom. William never knew my grandpa, but he’d loved his uncle ‘Doddy,’ in whose room I now stood. He too was missing from my life and every day without him was an agony beyond words.

Entering my own room as images formed in ever expanding light, struck a melancholy chord. They were everywhere, all those treasured, stored up memories: a cornucopia of daydreams, broken and empty. Tired and weak, folding onto the chair beside the window, I felt the weight of the room collapse round me like an iron lung. A gentle breeze fluttered blue sun bleached curtains and I sensed a presence I was desperate to embrace. ‘Breathe.’ It came again, that all too familiar whisper and though I knew I must fight for my son, the biggest battle now was with myself.

Exhausted, I went down stairs to grab a beer from the fridge. In the bathroom cabinet, bottled drugs of no further use to the people for whom they were prescribed, offered the comfort I craved.

Back in the kitchen, emptying drawers in search of a bottle opener, the large brown envelope that came to hand, piqued my curiosity. The enclosed document: ‘Barnstone Manor School Report 1974’, had me slugging down handfuls of pills. Thumbing trough, every page proved a potent reminder that this was it. This was the beginning of the desperate journey that brought me to this hollow point in my life. Weary, I rubbed my eyes and yawned: the cocktail was working. Picking up the class photograph for closer scrutiny, churned my stomach. Faces. Here they were again: the girl of my dreams; the true love of my life; beside the bastards who tried to destroy me. It instantly came to mind, all those lessons I’d been taught but never learned; all that bad blood spilled in defence of honour. Collapsing to sprawl face down upon the table, my mind conjured images, memories rewound, the years fell away and my life began to unravel...










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Comments by other Members



THS at 13:49 on 12 April 2010  Report this post
Hi Joella!

Before I comment, would you be able to give me an insight into the story at all? i.e. the genre and if you have written any of the story itself?
Many thanks!
Tani

Joella at 14:40 on 12 April 2010  Report this post
Hi Tani and thanks for taking the time to read my work. You will note that I've reinstated the original para as I decided the alternative wasn't any better. Still not happy with first para. though.

In answer to your questions:

The story is finished.
I would say the genre is general fiction. It's quite a gritty plot - essentially a love story, but not particularly conventional.

The prologue and the story appear to be in different styles. It's been suggested that I abandon the prologue, but the problem is that the mc wakes from his stupor towards the end of the story, by which time everything in the prologue has been explained. What happens directly after the 'awaking' moves to the conclusion which has, what I hope will prove, an unexpected twist.

I'd appreciate your comments and wonder how you will react having read this, followed by the first chapter, assuming you decide to read on, of course.

Would you like to know anything about the story? Synopsis?

Thank you and kind regards, Joella.

THS at 16:32 on 13 April 2010  Report this post
Ah ha!
Right, well I suppose it will be hard to tell until you read the story ; - so I will see if I can find chapter one and read that before I comment. Is it in your past work as I could only see chapter 2...

Also, just to confirm I'm not being thick, but the prologue is the beginning of the book which doesn't necessarily mean the start i.e it can be a significant part of the story which gives the reader a snippet of what's to come? Is that correct?
What was your aim when writing this particular one? i.e. is it that this scene needed explaining as it's not done so in the book story itself?

Tani

Joella at 22:20 on 13 April 2010  Report this post
Hi Tani, if you want to read ch1 go to 'work' in my profile. The updated version is 'Chapter 1 re edited.' It is longer than a usual download and I will post in two halves, but it's there is you want to read in one sitting. Can wait for the chapter to be posted, if you prefer.

Thank you for the interest, once more and kind regards, Joella.



<Added>

Tani, I meant to say that you're right about the prologue, of course. This one is set at the end of the story as mc reflects back on his life. What brought him to this hollow point - made him want to self destruct? The prologue provides numerous clues, all of which have played a part in his downfall. The school photographs deeply significant and the first scene in Ch 1, provides the building blocks for the story.

Hope this helps. Kind regards, Joella.

GaiusCoffey at 22:21 on 25 April 2010  Report this post
Hi,
Think I remember reading an earlier version of this and can only say this reads so much more fluently and succinctly. Lots of intrigue, lots of interest.

Some pickies / suggestions for you to do whatever you wish with:
I couldn’t fathom it.

Not certain this sentence adds to the first paragraph. Think it is covered in the next one. Might even be worth considering running first and third sentences together with a semicolon. Or maybe not...

I borrowed the bicycle propped against the garage wall and headed for home.

With tired tentative steps, I climbed the stairs to Will’s room.

Close out of para 1 and opening of paragraph 2 felt like a non-sequitur. Might be worth considering a sentence to smooth the jump.

Clambering out of bed, I hesitated to gaze into the night's sky. I felt 'the blackness', but unable to connect with the stars, finding neither comfort nor inspiration, I pulled on clothes and prepared to leave.

Not certain of the comma positioning in this sentence. Think the clause for "connect with the stars" starts at unable and not sure of the need for the first comma either. Might suggest:
"Clambering out of bed I hesitated to gaze into the night's sky. I felt 'the blackness' but, unable to connect with the stars, finding neither comfort nor inspiration, I pulled on clothes and prepared to leave."

It was chilling to witness nothing had changed, when everything was different.

For me, "witness how nothing had changed" would be more clear.

Crossing the landing, I approached the rooms of two people, never more loved.

This line didn't quite do it for me as a transition between locations; there was too much of a jump from the boy's room and I hadn't fully grasped that the boy wasn't there initially. Think it may be worth adding in a line or two to smooth the one and reinforce the other. Or maybe not...

Whatever, definitely moved a long way in the right direction.

Cheers,
Gaius

Joella at 22:37 on 25 April 2010  Report this post
Thank you Gaius. I appreciate you revisiting this piece of work. I took on board what you said last time. You made me think about what I'd written and I'll consider you comments once more. You have several valid points and there certainly is room for improvement. If you revisit in a couple of days, you'll see the changes.

Kind regards, Joella.


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