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a portrait in black

by simonSRW 

Posted: 10 December 2009
Word Count: 244
Summary: C&C welcomed - as the title says


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her bipolar shadows cast across a dim room,
reveal the compulsive obsessive’s veil.
and her ranting and raving of contrary fib tales,
make sparkles of vitriol from the gloom.

she’s a shadow of nobody, rarely acknowledged,
never more than her consonants and vowels.

and her life’s mirror, when observed,
shows nothing looking back.
no solace or beauty to be found.

just a bitter, shrivelled, disconsolate shell of –
what may have been,
that basks in a bile of its own.

and the far off pin points – of the outside world,
are lost to her apathetic grasps.

reason, her anathema,
begat by incidents of her far and recent past,
make her alone and a long time blind;
inhabiting dimensions that are dark,
as she forsakes the problems of the self,
to indulge her twisted joy.

to her there is only her and no one else,
that is cognisant of the world.

and in the room she never leaves,
she smiles as she pulls the blade from its clasp.
to meld it with the skin on her neck,
drawing a motion that is her own.

slowly her giggles turn to a rasp,
the lights in her eyes going out.
as her vision of her inside world,
becomes nothing more than a wretched dark.

finally, crystal sounds, she once heard,
change into a bleak fading drone.
and she hopes once again,
someone will find her lying there,
in the place she has to call a home.






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Comments by other Members



James Graham at 16:34 on 16 December 2009  Report this post
Simon, I see there are no comments so far. It's quite a busy time just now but I will post a comment soon.

James.

simonSRW at 22:58 on 16 December 2009  Report this post
Thanks James. Currently it's a WIP (as always). I have a newer version to post but I'm currently wondering whether it should be broken up into stanzas as it is in the post.
Any views etc, welcome.

James Graham at 11:43 on 18 December 2009  Report this post
Simon, in a previous comment (on ‘Death, I praise you’) you wrote: ‘What I do is post my first drafts – listen to all the input, let it settle in over time, and then go back to a re-write.’ You wondered if this was the correct way to use this site. Well, you don’t have to post a first draft, but it’s certainly a good idea to do so. It allows you to make use of feedback all the way through the writing process. And since a rewrite can take time, you can post something else while working on it, then post the revision when it's ready.

This poem too is a work in progress, as you say, and I’ll respond to it as such. I can see sections of the poem that I feel could be omitted or reduced, as well as some phrasing that seems awkward. I said to you before that when it comes to cutting I tend to be quite drastic. Here’s one example: even the first time I read the poem, I mentally turned

she’s a shadow of nobody, rarely acknowledged,
never more than her consonants and vowels.

and her life’s mirror, when observed,
shows nothing looking back.
no solace or beauty to be found


into

she’s a shadow of nobody; her life’s mirror
shows nothing looking back.


I find myself homing in on the really precious stuff, like the prospector spotting gold among the river silt. Those two lines are very telling, but in your first draft they are encased in much more ordinary stuff. Certainly the following can be cut because they’re unnecessary:

rarely acknowledged; when observed; no solace or beauty to be found

I’m less sure about ‘consonants and vowels’ but I’d be willing to sacrifice even this line in order to isolate the pure gold. There’s more gold in the poem. Your description of her suicide is vivid, and here (to my mind) cutting and pruning can be less drastic - but still important to set off the key words and images:

in the room she never leaves,
she smiles as she pulls the blade from its clasp.
and melds it with the skin on her neck.

slowly her giggles turn to a rasp,
the lights in her eyes going out
as her vision of her inner world
becomes a wretched dark.


‘Drawing a motion that is her own’ seems to dilute the shock of that act of self-harm. What does the line say? That she has made a decision and is acting on it, and this gives her some satisfaction? Well, fair enough, but her isolation, made clear throughout the poem, makes the need for this line doubtful. And it should be obvious that ‘nothing more than’ is unnecessary.

I’ve used ‘inner’ rather than ‘inside’ - a more appropriate word?

I’ll try to add more this critique - unless you think it’s enough to be going on with! You might consider whether you think there are other lines, phrases or words which could be dropped from the poem. The aim isn’t cutting for its own sake, but to eliminate anything that’s clearly (or sometimes marginally) unnecessary, and by so doing to set off, to display to best advantage, the most original lines.

If you have any doubts or questions, let me know, and we can continue with this.

James.

simonSRW at 16:45 on 18 December 2009  Report this post
Many thanks James. No doubts about your comments at all. "Inner" - absolutely, much more appropriate.

I would like to keep the "consonants and vowels" because this piece is intended to be a pastiche characterisation of biased journalism that one can sometimes read. And a thought as to the reasons behind such types of viscous commentary.

Suffice it to say; once this is complete I’ll be starting on a similar piece delving into the negative projections of men.



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