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Deliver Me...

by jim60 

Posted: 13 September 2009
Word Count: 546
Summary: This is an outtake from Miranda and Wendy, it's from P4, and I was going to put it back in. have a look please and let me know what you think.
Related Works: Miranda and Wendy (P3...) • 

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“Deliver me…”

The conference room,
Late July, 2008..

Los Angeles,

Can I tell her?
Just say those words and I hope that I don’t get this wrong.
I can’t have that happen again.
I feel so tired and all I’ve done is fought and scratch my way along and it hasn’t helped. I see her and I need her.
Yeah, I need her.
Have I wasted these two years and she’s been here all along?
Is it possible that I’ve just seen it, I’ve seen her?
Something I wanted and that’s gone so wrong and I’m clutching at straws, because of the way I feel about Wendy?
The friendship, no, our friendship and for me, it’s more than that. Is this the wrong place to tell her?
When will it be the right place or the right time?
Miranda, this isn’t like you. This isn’t how you are. I have to stop this, I have to turn this around and I’m scared that this will come out so wrong and she’ll leave.
I have to say I love you.
That’s the truth, right there. I do love her and I just don’t want to sound stupid or make her run off.
There’s always been something between us, hasn’t there? Am I wrong about that?
Because I was with Liz and I didn’t want to ruin anything, I stayed with Liz and well, look where that’s brought me.
I’m here, in this room and I feel like I’m tearing myself apart because I love Wendy.
She’s not like me, she’s so special, so warm and caring and I feel that, like I can touch it and all I have to do is tell her.
Maybe if I don’t tell her, she’ll know anyway, if I keep my mouth shut and just keep going and yeah, it will all magically sort itself out and I’ll lose her.
If I lose her, then what do I do?
I tell her and she laughs and runs off.
I tell her and she starts screaming.
What I shouldn’t do is crush the life out of it, I have to be so careful, I don’t want to hurt her, I don’t want to scare her either.
I have to look at her and say, I love you.
Then I’ll hold on and hope and dream and perhaps, she’ll hold my hand and I can love her. Not waste it, not let it slip by, because all that will do is hurt and I can’t go there again…

The door softly closes and Wendy is standing there. Miranda wipes her eyes and a look from her, what’s wrong?
Why are you crying?
Miranda closes her eyes and does cry, she does let go and feeling Wendy’s arms around her and it’s just this.
Wendy’s soft whisper, “Hey…it’s okay, I’m here now…”
Miranda trembles and Wendy doesn’t let go, she’ll hold her and a gentle rocking begins, just a small, soft movement and Miranda calms and lets herself be held by her. Miranda’s arms move around Wendy, slowly circling her and a light touch on her back.
This is what she needs, to have someone hold her and it feels so much better. To have Wendy’s arms around her and just stay with her.









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Comments by other Members



SJ Williamson at 17:50 on 13 September 2009  Report this post
Hi Jim!

This is a warm piece, filled with nice personal emotions, and it's nice to have a bit of emotional background to Miranda and Wendy's characters. Combined with some humour, and the little mysterious twists you have already shown us in your story before, I think this will make a great addition. You should definitely include it.

SJxx


pwhybrow at 08:52 on 14 September 2009  Report this post
Hi Jim

I am getting to like the very clipped style of you writing and as SJ says, this does have a pleasant warmth to it. I quite like how you have created the tension in the MC with so few words. Very well done.

Peter

fbtoast at 00:02 on 15 September 2009  Report this post
Hi Jim

This is really touching. And can I just say, you know how the experts are always telling us that we should "show, don't tell" - well your style of writing does this par excellence! Nice interior monologue.

Nicole

StephB at 16:37 on 15 September 2009  Report this post
Jim,

This is a really touching snippet of background in the Miranda / Wendy story. I love these little snippets coming into play, altering what we think we know about Miranda, filling in the gaps like a jigsaw puzzle.

I definitely think it should be kept in.

Steph x

freynolds at 10:40 on 16 September 2009  Report this post
Hi Jim,

Definitely put it in. It's nice to have an insight into the characters' thoughts, it brings them closer to the reader.

Just one little suggestion; you could italicize the internal monologue, so as to separate the action from the thoughts. Whenever I read books that have them I find it implicitly tells the reader that the character shares her thoughts. I'm reading The Constant Princess by Philippa Gregory, at the moment, and every time the italics come up, I know what's happening. I also use italics in my writing to the same effect, but see what you think.

Fabienne

Mand245 at 05:48 on 17 September 2009  Report this post
I thought that this was a really good extract, Jim and, like the others, I would say that this should definitely be included in the narrative. I would also agree with Fabienne that you might consider putting the internal thoughts into italics, especially as you don't used the first person singular with any frequency in this work and it could be a little confusing. Italics would solve that very easily.


I feel so tired and all I’ve done is fought and scratch my way along


"fought and scratched" or "fight and scratch"

I have to say I love you.

Put the "I love you." in inverted commas

Because I was with Liz and I didn’t want to ruin anything, I stayed with Liz and well, look where that’s brought me.

semi colon rather than a comma after "anything"

I’m here, in this room and I feel like I’m tearing myself apart because I love Wendy.

comma after "room"

She’s not like me, she’s so special, so warm and caring and I feel that, like I can touch it and all I have to do is tell her.

semi colon rather than a comma after "like me;"

Maybe if I don’t tell her, she’ll know anyway, if I keep my mouth shut and just keep going and yeah, it will all magically sort itself out and I’ll lose her.

This line seems contradictory to me. If it magically "sorts itself out" she wouldn't lose her, would she?

What I shouldn’t do is crush the life out of it, I have to be so careful, I don’t want to hurt her, I don’t want to scare her either.

Full stop after "life out of it." and after "careful". Semi colon after "hurt her;"

I have to look at her and say, I love you.

Put "I love you" in inverted commas

Miranda wipes her eyes and a look from her, what’s wrong?

semi colon after "her"

Miranda trembles and Wendy doesn’t let go, she’ll hold her and a gentle rocking begins, just a small, soft movement and Miranda calms and lets herself be held by her.

semi colon after "let go"

I like that this shows us Miranda's vulnerable side. Lovely stuff Jim - I really think this should be in.

Mand


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