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My Young Sea

by nickb 

Posted: 18 March 2009
Word Count: 260
Summary: Memories of a childhood spent living by the sea


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My young sea

I remember it green and tired,
as it lazed over limestone, miring grey white.
The swell, lurched slowly, guzzled whole
afternoons with each rise and fall.
The quiet slop slap in an empty cove,
rock upon limpet rock, a windless shore.
It is a sea that eats emptiness like a glutton,
never sated, swallows time,
lands me like driftwood to the beach,
to watch hour after thoughtful hour.
Why do grey skies make for green seas?

I remember it raging. Hurling suicidal
at the sea wall, punching ponderous like an ageing
heavy weight. I felt the ragged thump
through my feet, through concrete,
heaving its recklessness into body and soul.
Elation followed awe, thrilled looks exchanged
and hearts wound to a pitch, muscles tight
like an over excited bouncing child.
Water, seaweed, rocks gushed up and over,
spat like a dying curse, flung by a sibilant spray
which, loosing it’s load, drifts and drenches.

I remember it in calm summer evenings
rowing across the bay past emptying beaches,
against a mirrored sun glancing silver
with each gentle tilt of the boat.
Blades cut into the buoyant blue
blemishes like swirling jellyfish.
Tourist boats soaked us with warm wash,
sloshed up over riggers.
Back into the ice cream crowded harbour,
salted, sweat caked, justly sunburnt,
cold beer quenched the sea’s thirst.

I remember it like childhood scent.
The knot that pulls at creosote, fir trees,
my father’s begonias, fresh picked apples.
It is the sea’s knot that pulls at me.
I ride the tide of my young sea.






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Comments by other Members



V`yonne at 17:06 on 18 March 2009  Report this post
I love this too, Nick. I have a few suggestions:
L3 how about lurched instead of ing. ings weaken things ;
L5 maybe slop,slap more onomatopeic
adore:
rock upon limpet rock,

and try
"swallows time
lands me like driftwood to the beach,"
ings and ands weaken things ;
Go through and try leaving out ands and changing ings and read it aloud again...

Stanza 2: ike a heavy weight
after too many bouts ??? ands youy seem to be changing both person and tense which is comfusing. It would be better to stick with first person and perhaps:
....................I feel the ragged thump
through my feet, as through concrete,
heaving its recklessness into body and soul.

Back into the ice cream crowded harbour,
salted and sweat caked, justly sunburnt,

wonderful!

Consider too:
I remember it like the knot that pulls at creosote,
fir trees, my father’s begonias,
fresh picked apples.
It is the sea’s knot that pulls at me.
This is my young sea, childhood's scent.

As I said, I love it, Nick and the above are only suggestions Feel free to ignore me.




nickb at 23:14 on 18 March 2009  Report this post
Oonah

Wow this is a lot of fun. Thanks for your comments, they all seem to make good sense. If I get a chance tomorrow I'll have another go. I seem o have a tendency to use "and" and "ing" quite a lot....I'll try to stop myself! Cheers,

Nick

nickb at 13:50 on 19 March 2009  Report this post
Oonah,

had a go again taking many of your suggestions.....I think it sounds better?

Nick

V`yonne at 14:43 on 19 March 2009  Report this post
Okay Nick, here we go...
L3 how about 'guzzled whole' - the is a weak word.
L8 and is a weak word to end a line on and ands and the's are best avoided where possible and you don't need it here.

Can't fault Stanza 2 good job!

Stanza 3
Blades cut into the buoyant blue,
blemishes like swirling jellyfish,


see how leaving out 'leaving' brings the alliteration to the fore?

sloshed up and over riggers.
you don't need this and either.
salted and sweat caked,
nor this: salted,sweat-caked

On the final stanza I still prefer the childhood scent at the end becasue it fully explains the title and brings the whole to a close better.

I didn't like the use of 'this' in the last line - it stands out as archaic and over-poeticised. I'd definitely lose that word.

But this is much tighter than the original - much tighter.




<Added>

Remember, one of the best ways to revise a poem is to look at all the thes and ands and ings and try to get rid of the or replace them with a more meaningful word.

nickb at 17:45 on 19 March 2009  Report this post
Blimey....you've done this before haven't you. This is a steep learning curve!

I agree about the ands and ings...will sort this.

I'm still not happy about the ending either. My natural instinct was to end it with that rhyme as it seemed to draw it to a close....maybe this is a bit old fashioned....been reading too much Edward Thomas! I see your point about your ending but somehow it doesn't sound right to me. Let me sleep on it.

Thanks for taking the time Oonah, I really appreciate it.

Nick

nickb at 16:47 on 20 March 2009  Report this post
Oonah,

still not entirely sure about the ending....curious to get your view.

Nick

V`yonne at 17:52 on 20 March 2009  Report this post
Nick, when you're not sure about it it's best to let it rest for a week or two - or three... I've revised poems ten years later and I could still tweak them now but in the end the ending is yours. and others can only make suggestions.

Your instinct for poetry seems good to me and if you read my profile you'll see - I've done this before ; That doesn't mean that everything Oonah says is correct - though Oonah likes to think so

Take your time - come back to it when it seems like somebody else wrote it.

nickb at 11:58 on 21 March 2009  Report this post
Oonah,

I hear you....thanks.

Nick

V`yonne at 15:08 on 21 March 2009  Report this post
Let me know next time you've tweaked it or just send it ;


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