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Keeping You A Secret Chapter Two Part FOUR Draft One

by LMJT 

Posted: 01 June 2008
Word Count: 2096
Summary: In the last scene, Daniel and Samantha met Daniel's old 'friend' from school, Anthony Gray, who we understand makes Daniel very uncomfortable. Ever sociable, Samantha asked Anthony to dinner along with their other friends, Tom and Janine.


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Later, Daniel slices the onion, peppers, courgette, carrots and broccoli into neat, perfect strips and drops them in a white bowl while the chicken sizzles in the frying pan, the windows steaming up around him. He's glad to be home, glad to be cooking, his thoughts distracted from the evening ahead.
'Are you sure you want to cook?' Samantha had asked earlier. 'I'm sure you made the meal last time Tom and Janine came round.'
'Honestly,' he'd said. 'I'm fine. You go and relax. I'm happy to do it.'
'And you don't want me to do anything? Not even lay the table?
He kissed her on the cheek.
'I just want you to relax. And remember,' he called as she walked up the stairs to the running bath, 'you're relaxing for two now, so take your time.'
As he pours another glass of Rioja, he notices the bottle is half empty already. He stands back from the hob and checks the time on his watch: quarter to eight. They'll be here in fifteen minutes. He takes a gulp of wine and the taste fills his mouth, rich and smooth.
Placing his glass on the sideboard, he tips the vegetables in with the meat and stirs the food with a long wooden spoon. He lifts the lid on the rice. It's almost done. He checks the time again, turns to the sink and washes up what he's used so far.
His opposite, Samantha leaves the kitchen as if someone has been in there with just five minutes to find something of great value. Her desk in the study is the same state with papers shrewn all over the place and post-it notes slapped over everything with urgent looking writing in red ink, underlined, circled: CALL JULIA, WRITE TO IGH WITH PROPOSAL, MEETING ON JULY 9TH AT 10AM.
When they'd first moved in with one another, Daniel had commented on her disorganisation, her messiness.
'Life's to short to worry about things like that,' Samantha had said simply in response.
And of course, she's right, but there's something about everything having its place that he likes, something about the compartmentalisation of a life that seems right. Even when he and Richard were children, he insisted on toys and books and games being labelled: blue for Richard, red for Daniel. Not that it made any difference back then since their mother discouraged them from having any individuality, treating and dressing them both the same ('It's easier than looking for different clothes for the both of you') until they were sent away to Broadoaks.
As a child, the notion of individuality wasn't one Daniel gave much thought. Of course he was aware that, unlike most people, there was someone in the world who shared his image, but he didn't think about the instinctive comparisons that people made between the two brothers.
No, that came later, before the first year of Broadoaks when his father called the two boys into his study.
Both Daniel and Richard had been surprised their father had let them into his office since he kept it so exclusively for his business work, and the boys could count on one hand the amount of times they'd been in there: once when they'd been caught trying to keep next door's cat in the playroom, once when Daniel had broken the window of the shed with a football, and once when their father was out and they wanted to see what exactly it was that kept him locked away for hours at a time.
The room smelt of paper and stationary – stale and lifeless – and the wallpaper, a deep maroon, robbed any light from within the four walls. Beside a huge window that looked out onto the immaculately cut lawn was a heavy mahogany desk on which stacks of files and paper were arranged in alphabetical order.
And behind these stacks was a leather chair in which their father sat.
That day, the two boys sat before their father as if they were in a job interview, their hands in their lap, their boyish faces serious.
'I'm not going to say much,' their father began in his deep voice, 'but I want you both to know how important the next few years are for you both.'
He'd gone onto explain how his sons were lucky to receive the education their parents had 'worked jolly hard for', how they must apply themselves to every subject, every minute of every lesson, how they should never settle for anything other than the best.
'Medicine is a difficult profession to get into,' he'd said finally. 'If you want to get to the top, you have to put in the work. That's where you want to be, isn't it? At the top.'
'Yes, Dad,' Richard said instantly.
Daniel felt his father's eyes on him. He looked up and their gaze met; two generations, one profession. The thought of studying medicine made his stomach turn; the thought of being the counsel someone sought to cease their pain made his hands hot and clammy.
His science wasn't even that good. His teachers had said so himself. He'd read it on the report card they'd sent back to his parents.
'Daniel applies himself and is a hard-worker,' Dr Venables, his science teacher wrote. 'But I feel that this is not his strongest subject.'
'You're just not trying hard enough,' his father had said on reading the report. 'You're not concentrating. You're bright, Daniel, it's obvious from reading the rest of this report. So why can't you put in some more effort?'
He'd said nothing in response, just shrugged his shoulders. There was nothing to say, anyway. Nothing that his father wanted to hear.
'Two sons,' he always said after a few drinks at Christmas and parties. 'I've got two sons to carry on my profession. That's the greatest feeling. It really is the greatest feeling.'
'Don't, John,' their mother would say. 'Let them make their own decisions.'
And then an argument would start, an argument about their futures that their mother never won. At time like this, Daniel and Richard would sit at the dinner table push food around their plates. It always felt like a lifetime before they were excused from the table and were able to disappear somewhere else in the house, somewhere they weren't treated like little adults as opposed to the children they were and never allowed to be.
'Daniel?' His father asked that day in his office, leaning across the desk. 'You want to be at the top, don't you?'
He nodded.
'I can't hear you,' his father said. 'Where do you want to be?'
'At the top.'
As the words left his mouth, he knew they weren't the truth, but as his father sat back in his chair with a smile on his face, he saw that he'd been convinced. And it was at that point he realised how easy it was to lie.
Hearing Samantha's footsteps in the bedroom above him now, Daniel checks the time once again. It's five to. They'll be here soon. He finishes his glass of wine. It'll be fine, he tells himself, drumming his fingers on the worktop. It will all be just fine, fine, fine.

Tom and Janine are the first to arrive, and Samantha meets them in the hall, taking their jackets and hanging them on the coat stand as they discuss how summer seems a distant memory already.
'Daniel,' Tom says in his usual loud voice as he and Janine walk into the kitchen. The two men shake hands. 'How are you? Good day?'
'We were at a funeral, Tom.'
His friend nods solemnly. 'Good send off?'
'You could say that.'
'Nothing worse than a miserable funeral,' Tom says, and the room drops to silence.
'Who'd like a glass of wine?' Samantha asks, chirpy as she walks to the fridge. 'We've a bottle of Chablis in here. Lovely and cool.'
Daniel and Samantha have been friends with Tom and Janine since the two women worked together at [somewhere] nearly ten years ago. Samantha had invited Janine and her husband to dinner one evening and, though Daniel had originally found Tom too forthright, too loud, the two couples had soon gone on to become friends.
At just over six foot, and with a rugby player's build, Tom is as loud in appearance as he is in volume while Janine, petite and timid, is completely his opposite. And yet they are simply ideal for each other, finishing each other's sentences and as tactile today as the first day they met.
'That's what I mean,' Samantha said when Daniel first pointed their unlikely coupling. 'Couples aren't meant to be reflections of one another. The beauty is in the difference.'
'Samantha mentioned an old friend of yours is coming this evening, Daniel,' Janine says now, leaning back against the breakfast bar. 'It must have been strange to have seen him after so long.'
Daniel nods and pours himself another glass of wine.
'I suppose it was,' he says, and can hear a slight slur in his words that suggests he's already had too much to drink. 'The last time I saw him, he was a boy. And now he's a man.'
With that, there's a knock on the door.
'I'll get it,' Samantha says, walking out of the kitchen as Daniel pours himself another glass of wine.

At the table, the two couples face one another while Anthony sits at the end between Daniel and Samantha.
'This is wonderful, Samantha,' Janine says in her soft Irish accent as she folds a fajita wrap. 'Really tasty.'
'I can't take the credit for this one,' Samantha smiles. 'Daniel was chef this evening.'
Janine raises her eyebrows and looks to Tom. 'Did you hear that? You could learn a thing or two here.' She addresses the rest of the table. 'Tom's idea of cooking is taking things out of boxes and putting them in the microwave. Or the oven, if he's feeling adventurous.'
'I'm time efficient,' Tom protests.
'That's one way of describing it,' Janine laughs, and everyone laughs with her.
Anthony tops up everyone's wine glasses, raises a toast.
'To the chef,' he says as Daniel catches his eye. 'And new beginnings.'
Five wine glasses chime over the table and in that moment the room is filled with warmth, but as conversation flows around him, Daniel is quiet, eating slowly despite being hungry.
The wine he drank while preparing the meal has left him anxious that he's slurring his words, and so he just listens to all that's going on around him, nodding, smiling, raising his eyebrows at appropriate times.
All the while, he's aware of Anthony sitting beside him. Twice already he, Daniel, has looked up to catch his gaze.
'What about you, Daniel?' He hears Tom ask. 'How's your week been?'
'Fine,' he says. 'Fine. Back to work on Monday after the summer holidays.'
Janine fills her tortilla wrap and reaches for the sour cream.
'I suppose a lot of new students will be coming to see you,' she says.
Daniel nods. 'Some new faces, some old.'
'Speaking of which,' Janine says, holding up her wineglass for a top-up. 'Anthony, Daniel told me you two haven't seen one another since school?'
'Not once.'
'It's amazing, isn't it? You spend every day for five years with someone, then you don't see them for twenty. It's a shame really.'
'It feels a million years ago now,' says Tom. 'I don't know how you do it, Daniel, I really don't. All that angst. Doesn't it get to you after a while?'
'Not really. It was worse when I was a GP, when people came with aches and pains that they couldn't even locate and wanted a quick fix. With counselling, they talk, I listen, and we work on things together.'
'What would you have said to yourself back then?' Anthony asks, his eyes on Daniel's. 'If the sixteen year old you came to see you as a counsellor now, what would you say?'
'Good question,' Janine says, leaning back in her chair and bringing her wine glass to her lips. 'Very good question.'
There's a silence in the room that lasts a moment longer than is comfortable.
'Come on, Daniel,' Samantha says. 'What would you say?'
'I'm thinking.'
'Drinking, more like.'
After another moment passes with only the sound of cutlery on plates, Daniel says, 'I'd say, 'All of this will pass.''
'That's vague,' Samantha says.
'That's my answer.'
Tom grins. 'A man of mystery. I like it.'






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Comments by other Members



sandpiper at 21:00 on 09 June 2008  Report this post
Hi Liam,

Here are my comments for this round:

in a white bowl

Wasn't sure you needed to tell us the colour... maybe the material? Porcelain / glass / pyrex ..? Maybe I am being too pedantic.

'I just want you to relax. And remember,' he called as she walked up the stairs to the running bath, 'you're relaxing for two now, so take your time.'
As he pours another glass of Rioja, he notices the bottle is half empty already. He stands back from the hob and checks the time on his watch: quarter to eight. They'll be here in fifteen minutes.

Might need a tweak here with the timeline... looks like Samantha is only going to have 15 minutes to relax in the bath and get ready.... not enough time, certainly for me! I'd need at least an hour :-)

with papers shrewn

strewn

and the boys could count on one hand the amount of times

the number of times

and once when their father was out and they wanted to see what exactly it was that kept him locked away for hours at a time.

Did they find out?

At time like this

At times

Daniel?' His father asked that day in his office, leaning across the desk. 'You want to be at the top, don't you?'
He nodded.
'I can't hear you,' his father said. 'Where do you want to be?'
'At the top.'
As the words left his mouth, he knew they weren't the truth, but as his father sat back in his chair with a smile on his face, he saw that he'd been convinced. And it was at that point he realised how easy it was to lie.


I like this scene, and the dialogue is very believable. The only thing is, for me, I wasn't convinced that the father would have been convinced, if you know what I mean?! It seems so obvious that Daniel is just parroting out what his father wants to hear.... It seemed like the father should be sitting back with a smile on his face, not because he was convinced that Daniel wanted to be at the top, but because he had forced him to submit to his (the father's) will... so the pleasure on the father's part would be sort of power-pleasure, something domineering. I'm not sure I'm making sense... let me know what you think.

Anthony tops up everyone's wine glasses,

Surprised it was Anthony doing this... surely should be Daniel or Samantha? Or are you making the point that A. is very forthright?

holding up her wineglass for a top-up

Maybe it's just me, but they're drinking an awful lot of wine! I think you've mentioned the wine being poured quite a lot, maybe cut a couple of them to tone it down?

You've done a great job of creating an image in the reader's mind in the scene in the father's study. It made me realise that I didn't know what the dinner party scene looked like, where they were all sitting with Tom, Janine and Anthony. Maybe you could add a couple of lines of scene-setting?

In the first scene, where Daniel is cooking, we have a bit of digression/backstory while Samantha is in the bath, but it's not clear whether this is what he's actually thinking to himself while he cooking...? I suppose I would expect him to be thinking about Anthony, rather than his father. (It was good backstory, and came across fine on first reading, but reading over it a second time, I wondered to myself what D. was thinking about while cooking, and realised I didn't know.)

Another thing that's occurring to me on 2nd reading of this piece is that we don't know much about Anthony... maybe that's intentional, but I would expect that as he is a newcomer to this group, they would exchange basic details about each other quite early on, I guess basically what jobs they all do, whether they're married/single/whatever, kids etc. I know in the previous scene Anthony admitted to Samantha that he'd just ended a relationship (and did not give away the gender), so maybe if I were reading this all as one continuous chapter I wouldn't notice the lack of info on Anthony here. But at the moment, he's coming across as a bit of a dark horse (again, maybe this is exactly what you intend?), and I think for him to fit into the group he would probably be giving more information away. Again, this is just my opinion, so feel free to ignore.

Well, the above is a list of suggestions for changes, but as usual I am really enjoying this story, think your writing is high quality, and am looking forward to more.

Claire

LMJT at 21:08 on 09 June 2008  Report this post
Thanks Claire,

You know, you have picked up on points of which I am very aware.

I was thinking only today that I need to get in some details about Anthony but, to be honest, I don't know any! That's definitely an area I need to focus on.

Similarly, I agree with you completely about setting the scene for the dinner party. This part is very much a first draft and I don't get round to doing things like that until quite a bit later. But I must! Oh, and I know what you mean about the wine! It's been pointed out before. I think the reason is that, while I was studying my MA, one of my tutors kept saying that you shouldn't have someone just speaking, they should say something while performing an action. But I don't think that meant making all the actions the same!

Thanks ever so much for your comments. I shall look at my work and amend accordingly.

Liam

barjoker at 17:50 on 11 June 2008  Report this post
Hello Liam

This was an enjoyable piece, very easy to read, and some nice backstory about your character - I thought the scene in the father's study was great, though like Claire I did wonder whether the father wouldn't have pushed a little harder, knowing that Daniel wasn't as committed as Richard. I also was going to comment on the vast quantities of wine being poured!

As for the dinner party itself, I loved the bit at the end after Anthony asks the question, but up until then I felt that the dialogue wasn't really giving us much in the way of either story or character, and that some of it might not be necessary. I'd like to see more, maybe, of Tom being brash and Janine being - you say she's timid but she doesn't seem shy - perhaps penetrating in a quiet way? And as Claire says, perhaps a few revealing nuggets about Anthony.

Just a few more specific comments:

she walked upstairs to the running bath
I smiled at this image! 'the bath she'd left to run' perhaps? even 'the bath she'd left running' sounds less like a tub on legs!

His opposite, Samantha leaves the kitchen
I think I've commented on this construction before - it just grates on me for some reason - I wouldd prefer 'Samantha is his opposite, and leaves the kitchen' as being more straightforward.

just five minutes to find something of great value
I found this just a tiny bit clumsy, though I'm not sure I can come up with anything better - maybe 'just five minutes to find a vital something' or 'just five minutes to find a lost item'?

Her desk in the study is the same state
perhaps should be 'IN the same state'

Life's to short
typo - TOO short

And of course, she's right, but
possible POV confusion - I think you need 'thinks Daniel' or 'Daniel agrees, of course'.

when he and Richard were children, he insisted
need to say if it was Richard or Daniel insisting

No, that came later, before the first year of Broadoaks when his father called the two boys into his study.
This sentence confused me a bit and I had to reread it to determine the timeline - could it be clearer?

stationary
- typo - 'stationEry'

as if they were in a job interview
might be better just as 'as if for a job interview'

the thought of being the counsel someone sought to cease their pain
didn't really work for me as the description of a doctor's job, though maybe you are tryong to draw a parallel between this and his job as counsellor?

And yet they are simply ideal for each other
again, a touch of omniscient POV here - I think you need something like 'Daniel thinks they are simply ideal' or 'Daniel and Samantha agree that...".

That's what I mean,' Samantha said
does this refer to anything else - it seems to stand alone a bit?

that suggests he's already had too much to drink
I wondered if 'warns' might be a better word here?

despite being hungry
very picky, but I might prefer 'despite his hunger' or 'despite his appetite'.

I don't know how you do it, Daniel
this part didn't really seem to connect with the conversation beforehand, sorry if I'm being dense.

'Very good question.'
Who says this?

That's it - hope this is vaguely helpful!

Joker



LMJT at 06:36 on 12 June 2008  Report this post
Hi Joker,

Many thanks for your comments. All very helpful. I see what you mean about this scene being a little flat at the moment and am going to work on it this weekend.

I've taken on board your's and Claire's comments that there isn't enough about Anthony, so perhaps this would be a good scene to reveal more about his character.

Thanks again,

Liam

Gillian75 at 10:50 on 12 June 2008  Report this post
Hi Liam

Another great opener - you have a real talent for setting a scene really well and I just love the sizzling effect which almost gives the reader the opportunity to take part in the dinner party. Our senses are all aroused here and we're waiting for the action/tension to begin....

I noticed you have mentioned the word 'relax' three times in the opening paras in quick succession - you could maybe change one to 'go and chill' or 'go and have a rest.' I'm not sure if she'd have time to 'relax' as such though. She'd barely have time for a shower (?)

Stationary is ERY! Yes, that's a mistake we all make - I even had to Google it there!

Cease their pain

Ease their pain?

I noticed too there was an awful lot of wine being consumed. If that was me, I'd be under the table by now.
Perhaps you could get them all to ease off, or indeed, instead of having a glass poured, you could have them 'taking a sip.'

I'd also like to know who sits where in relation to who. I don't think that's been mentioned.
I'd like to know more about Anthony, although perhaps you are keeping that under wraps for a later chapter.

I'll not repeat the points mentioned above that occurred to me, but other than to say I'm really enjoying this story. You build tension really well and you are a dab hand at writing about relationships.

Well done - I look forward to the next installment.
G

Xena at 22:38 on 12 June 2008  Report this post
Hi Liam,

As usual, it' s quality writing and there' s absolutely nothing to criticise on that front. I think you possess great skills for handling details, in that you do describe them, but at the same time you don' t overcrowd your pieces with them. Somehow you pick only those which are absolutely necessary to convey the mood and the atmosphere. Like that reference to the windows steaming up in the kitchen - such a minute detail but it' s made the picture complete, it' s put the reader in the picture.

Everybody seems to be taken by your scene with the father, but I had a slight difficulty here. It appeared to me too Victorian - domineering father, a study out of children' s reach. I actually tried hard, but couldn' t imagine this scene in the 20th century. You literally threw me a hundred years back. But you can see it' s very subjective.

I couldn' t follow the dinner party dialogue all the way.

' I suppose it was,' he says, and can hear a slight slur in his words that suggests he's already had too much to drink. 'The last time I saw him, he was a boy. And now he's a man.'
With that, there's a knock on the door.
'I'll get it,' Samantha says, walking out of the kitchen as Daniel pours himself another glass of wine.

At the table, the two couples face one another while Anthony sits at the end between Daniel and Samantha.


I would mention here that Anthony comes in, before you describe them sitting at the table. I can't overcome this gap in the narrative.


'Fine,' he says. 'Fine. Back to work on Monday after the summer holidays.'
Janine fills her tortilla wrap and reaches for the sour cream.
'I suppose a lot of new students will be coming to see you,' she says.
Daniel nods. 'Some new faces, some old.'
'Speaking of which,' Janine says, holding up her wineglass for a top-up. 'Anthony, Daniel told me you two haven't seen one another since school?'
'Not once.'
'It's amazing, isn't it? You spend every day for five years with someone, then you don't see them for twenty. It's a shame really.'
'It feels a million years ago now,' says Tom. 'I don't know how you do it, Daniel, I really don't. All that angst. Doesn't it get to you after a while?'
'Not really. It was worse when I was a GP, when people came with aches and pains that they couldn't even locate and wanted a quick fix. With counselling, they talk, I listen, and we work on things together.'



You lost me here. The subject-matter of their conversation wasn't very clear to me. First they were talking about Daniel's work. Then Janine changed the topic to Anthony and Daniel's relationship. So far so good. But after that Tom seemed to be speaking as though the topic had never changed. When he said 'I don't know how you do it. All that angst' I suppose he was talking about Daniel's work and not his relationship with Anthony. Daniel was certainly under that impression, hence 'It was worse when I was a GP'.

That'll be it.

Xena.


LMJT at 16:25 on 14 June 2008  Report this post
Hi Gillian and Xena,

Thank you for your comments. I have taken them on board and will work on your suggestions.

Liam


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