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Smoke Screen

by tusker 

Posted: 29 May 2008
Word Count: 926


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Edward scratches his left ear. He sighs. Replaces the receiver. Our son, Jake, is not answering his call. I get up from the stool. Busy myself at the sink. 'What's up with you?' My husband detects my irritation.

I say nothing. He shrugs, shoving big hands into sagging pockets of his old jeans and draws out his words like a preacher, 'I'm not stopping you.' Leaving the kitchen, he sidles back in again, waits for my silence to break. I step over to the fridge, stick my head inside, feeling coldness soothe hot cheeks. Withdrawing my head, glancing over my shoulder, I see that he's left the kitchen. Restless, I gaze out of the window past the bird table onto our long back garden.

Through autumn twilight, there is a finger of smoke rising up from our dying bonfire reminding me of the time when pregnancy bulged my stomach and Edward, stroking that bulge, gazed out at frozen whiteness and said, 'I'll grant you three wishes.'

Revelling in his expression of love and anticipation, I replied, 'I wish our garden to be a garden burgeoning with fruit and vegetables. I wish our new home to be a happy home. I wish for a healthy child.'

Lifting me off my feet, he whirled me around and I, snuggling my head into his shoulder, breathed in his scent of woodsmoke and aftershave.

The phone rings interrupting my memories. I answer it. 'Dad's left four messages on my answer phone!' Jake, our only son, sounds impatient.

Ignoring his ill humour, asking him how he is, he replies in a defensive tone that university life isn't all about drugs and drunken orgies.

Refusing to bite, I casually mention that his father wondered if he could make it home for the match next weekend. 'No,' comes the immediate response.

'That okay. It's just...' I stop, not wanting to sound like a whingeing mother.

Now Jake's mood lightens. He's talking about his friends. A gig he went to. Then a silence grows. My eyes blur. But now he's asking if there's something wrong.
I want to tell him about our invitation to Samantha and Richard's anniversary party, a party his father refuses to attend. I want to say that, once, we enjoyed a good relationship with our neighbours. I want to confide in our son, tell him all has changed since Samantha's fortieth birthday party, six months ago.

In the background, young voices call out to Jake. 'Got to go,' he says and the obligatory call home comes to an end.

Edward is standing in the doorway with an expectant look on his face. Shaking my head, my husband hunches broad shoulders, making his shirt rise up like a hump. Ageing him. 'Cup of tea?' I offer, my movements brisk. He turns and leaves the kitchen.

Music reaches me. Going over to the window, looking out across the garden at a blaze of light coming from nextdoor's recently erected conservatory, I see tops of heads. Hear laughter and I envy the guests conviviality which Edward and I once shared with our neighbours.

Samantha, petite with an hour glass figure, wears lush auburn hair to slender shoulders. She's funny, considerate and flirtatious while Richard, her husband, tall, slim and thoughtful, seems to bask in his wife's effervescence.

Our back garden, illuminated by next door's light, looks shabby and now the dying bonfire squats, black and lifeless while next door's garden still brings exotic places to mind.

'Damn noise!' Edward yells from the lounge.

Closing my eyes, I draw in deep breaths, remembering Samantha's birthday party. Their dining-room became a dance floor and, beneath a silver ball spinning diamond lights, my husband cavorted like John Travolta.

"You're The One That I Want," is now blasting through walls and glass. Fairy lights decorating their Laburnum tree jig in the chill breeze. I want to dash upstairs. Shower. Change into that new dress I bought for the occasion.

'It's only a conservatory not the Eiffel Tower,' I'd argued the night before.

'I don't care about their conservatory,' Edward replied.

'Looks like it to me,' I argued.

'I don't envy them anything,' came the response.

'For goodness sake, Edward!' I lost my cool, banging a spoon on the table top.

Edward, his face red, pointed a finger, shouting, 'Can't you see what that woman's like? Are you blind?'

Startled by his fury, I answered quietly, 'Then tell me?'

For a long moment, he looked about the room, shifting his head like a hunted animal. Then said, 'Trust me.'

Now wet streaks slide down the kitchen window, slanting on an easterly wind. Hurrying upstairs into the bedroom, I cross to the window. Pulling up a chair, I settle down.

Later, lights in the conservatory dim and, scanning the darkness, a movement catches my eye and I notice two figures dance a slow dance behind a wicker screen. Then the dancing stops. Arms enfold. Lips meet. Bodies press together.

Suddenly, the conservatory is awash with bright light and Samantha's husband, Richard, is yanking the screen away, shattering a potted Azalea. The two figures leap apart. Samantha moves towards her husband. He lifts a hand as if to strike. Then dropping it, storms back into the house, leaving his wife sobbing.

Then a quiet voice says behind me, 'She tried it on but I wasn't tempted.' Getting up, I step into my husband's embrace, snuggling my head into his shoulder, breathing in his scent of woodsmoke and aftershave while from next door, music stops. Doors slam. The party has ended.






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Comments by other Members



V`yonne at 16:39 on 29 May 2008  Report this post
I enjoyed that, Jennifer. Thanks for the read. I liked the sense I got that although she didn't feel perticularly close to either of her men, the wife and mother was being protected by both.

tusker at 17:21 on 29 May 2008  Report this post
Thanks Oonah. Just a little tale of misplaced friendship.

Jennifer

Nella at 18:58 on 29 May 2008  Report this post
A very nice story, Jennifer, I enjoyed it, too. A little sad, a little happy, a little whistful, a little hopeful...
Thanks for the read,
Robin

tusker at 13:53 on 30 May 2008  Report this post
Thanks Robin.

Jennifer

Drama Queen at 15:55 on 30 May 2008  Report this post
I enjoyed this too, but felt it could be developed as it seemed a wee bit disjointed. The part about the teenaged son seemed to be part of a different story. If it concentrated more on the broken friendship with the people next door I think it would work very well.
Suzanne

tusker at 15:58 on 30 May 2008  Report this post
Thanks Suzanne. Will go over it.

Jennifer

Indira at 03:06 on 31 May 2008  Report this post
Its gentle.

I like the way you bring out how Edward is too embarrassed/shy/unable to explain why he doesn’t want to go next door. Has She been frustrated by this inability to communicate in the past? Does she feel irritated that by the fact that she doesn’t know why he’s dropped the neighbours? That she has to speculate that it’s about the conservatory?

I see Suzanne’s point about the teenage son but am not sure I agree completely. It’s true it doesn’t lead anywhere. But it gives a sense of Edward – he loves/needs his family, likes to be with them, is disappointed that it won’t happen the coming weekend. ..

Personally, I find that additional thread that leads one away from the main story gives a feeling of the complexity, the multi-dimensionality of living. It’s just hard to know how to knot the end of that strand sometimes. I’ll soon upload something where I’m struggling with this and would love to know what you all think.


Indira



tusker at 06:55 on 31 May 2008  Report this post
Thanks Indira. Family relationships are complex. It's not the sort of story I'd send anywhere but just a picture in my mind I wanted to write.

Jennifer

Nella at 11:52 on 31 May 2008  Report this post
An interesting point of Indira's that the son-strand serves to give a sense of Edward and his sense of family. I also had thought it a little out of place, but maybe Indira is right.
Robin

tusker at 12:07 on 31 May 2008  Report this post
Yes, Indira was right. He was the strand. Thanks for re-reading it, Robin.

Jennifer

Becca at 10:29 on 01 June 2008  Report this post
Hi Jennifer,
I got a bit confused in the following passage:
'I want to tell him about our invitation to Samantha and Richard's anniversary party, a party his father refuses to attend. I want to say that, once, we enjoyed a good relationship with our neighbours. I want to confide in our son, tell him all has changed since Samantha's fortieth birthday party, six months ago.'
The reason is that '...once, we enjoyed a good relationship with our neighbours' seemed to imply that they'd fallen out with them. Later, I see that it's the husband who won't go to the party, and they have fallen out with them, but the neighbours don't know that. Am I making sense?
My other thought was that I couldn't quite see what the son added to the story, he feels a bit like a hook to get the story off the ground. He feels like a diversion, I'd rather have heard more about Samantha since she is at the bottom of it all.
I liked the descriptions of the garden and the bonfire. There's a strange loneliness lurking. There'd have been more conflict, I felt, if the MC and Samantha had been close friends, then the husband's encounter with her would have been much more serious and there'd have been a lot more to lose.


tusker at 11:13 on 01 June 2008  Report this post
Thanks Becca. I suppose I used the son's phone call as a way to show how MC is mystified by her husband's refusal to attend the party. Also, to show that since their son has left home, she's feels cut off.There's no one she can talk too. Of course, MC is naive, trusting her neighbour. Will go through it again.

Jennifer

Becca at 11:38 on 01 June 2008  Report this post
Hi Jennifer,
I do get the feeling that she's cut off, that comes over well, but at the end everything turns out OK with the husband, so maybe there isn't quite enough of a struggle to get there - they just fall into each other's arms. So I felt this undid some of the feeling and atmosphere that was building up in the story beforehand.
Becca.

Buzzard at 12:15 on 01 June 2008  Report this post
Hi, Jennifer
Having read everybody else's comments, I think the conversation with Jake does have a place in this story even if the story is more about the effect Samantha's flirtatiousness is having on the MC's marriage. I just wanted a little more from the narrator in terms of thoughts and feelings about her neighbours and her non-comprehension of her husband's reaction to them. She doesn't guess at the reason, but I'm sure she would. Maybe if she suspected that her husband had had a fling, and that's the reason for the sudden cooling?

I just wonder if her own insecurities were highlighted a little more, then the resolution at the end might pack a little bit more of a punch. And maybe if in the conversation with Jake her wish for him to return were greater than her husband's, then again she'd appear to be the lonely rattled one, and therefore the resolution would be stronger.

All just maybes of course!

All the best
Clay



V`yonne at 13:33 on 01 June 2008  Report this post
Jennifer I liked Clay's take on that - about the wife maybe suspecting Edward didn't want to go because of a fling... Nothing serious... I'd maybe try something along those lines. That way his cvonfirmation would be more like a confession but ultimately reassure her he wasn't having any. It would be more complex but I think it would work and it would make the end less 'easy'. She would have to decide too.

tusker at 16:12 on 01 June 2008  Report this post
Thanks Clay and Oonah, I can see what you both mean.

Jennifer

tusker at 16:13 on 01 June 2008  Report this post
Yes, Becca, I know what you mean. Will work on it.

Jennifer

MF at 14:47 on 16 June 2008  Report this post
This story has a very dreamy feel to it - as others have said, a little lonely, a little wistful, but gentle.

I agree with Becca about the ending feeling as if it could have led to something more than "just" an embrace, although this is obviously very much up to you - perhaps drama isn' t what this particular piece is about.

Originally I, too, felt that Jake seemed out of place - at the beginning, I was expecting a story about a lost son - but I can see the value in having him there. Perhaps one or two more "flashbacks" to clarify the parallels between this woman' s relationship with the two men would help - you could almost create a dual narrative, with both relationships informing each other?

There were one or two POV questions that made me do a bit of a double-take - for instance this

Shaking my head, my husband hunches broad shoulders, making his shirt rise up like a hump.


Whose head is shaking?

All in all, a lovely read.

tusker at 15:07 on 16 June 2008  Report this post
Thanks Trilby, Your last comment made me chuckle. I get your meaning. Having not read the story for a while and re-reading everyone' s comments, I can now see the wood from the trees. I think we writers spend so much time with our ' babies' that we' re unable to see their blemishes.

Jennifer


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