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If Only

by tusker 

Posted: 08 March 2008
Word Count: 1309


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The afternoon is warm, as warm as the day you left.Close by a robin sings its autumn song as I sit in my garden overlooking the bay.

The waves are lazy and below me, gulls cirlce a fishing boat. Remember the time when we both sat here and you said that France was just a hop, skip and jump away. Then you said that we should begin our travels in Calais.

Yesterday, your letter arrived; a letter I've longed to receive over the years and though I'm thrilled, I also feel a little sad realising that you assumed I'd still be living here after all this time. Was I that predictable?

Remember when you first met my late parents and their shock at the sight of a tall young man with hair dyed vivid red wearing studs in nose and ears? You challenged their conservatisim and I listening, wished I could do the same. My father, I recall, was lost for words.

Up until I met you, my life, a provinciel life, lacked excitement. "Too street wise for our Sophie," I remember my mother saying as you rode off on your motorbike.

"Rough as a badger's backside," my father muttered though his gaze followed your exhaust trail over the brow of the hill.

Strewn about my feet are the post cards you sent all those years ago, reminders of what I'd lost at the time of my awakening. Beside me too, is the invitation you enclosed with your letter, inviting me to a reunion at The Grand Hotel, next weekend.

Didn't you once say The Grand Hotel lived up to its reputation and that it's clientele were jumped up jerks with false ideas of grandeur? Maybe you've changed. Perhaps you've joined the bourgeoisie.

At random, I select a postcard from the collection I've kept in a chocolate box. "The sun is hot," you sent from a Greek Island. "Cicadas click in olive groves. A wonderful place to paint if only you'd come and see for yourself."

Turning over the cracked card, I gaze at a photograph of Paxos, almost tasting the ehat, smelling the aromas of wild herbs you went on to describe. And I think, "If only."

Of course, cowardice kept me at home. It's different now but back then, I had to smother my desires. You tried hard to convince me. "There's only one life, Sophie. Live it!" I recall you saying over and over like a mantra.

If only I had but at the age of eighteen, there seemed to be plenty of time, ahead. Now hours, days and months gather speed, heading towards that inevitable void, a void of uncertain endings.

Picking up another post card, I see the date is June 11th 1975. A proud mountain clothed in spruce reaches snowy finger tips up to the sky. "I waited at the station all night," you wrote. "In the end, I was moved along by an Austrian policeman."

I remember, two months after you left, you rang from Saltsburg. I got carried away with your pleadings, your enthusiasm and words of love. Once more, I promised I'd join you but I broke my promise again, didn't I?

Now I reach for another card. This one is from Paris. It was the very first card you sent to me and only two days after you left on that adventure both of us had planned to share.

"Where were you? I waited at the ferry terminal as arranged. I waited and waited. Then I rang but your line was engaged."

Knowing that you'd phone and as my parents were away for the weekend, I left the receiver off the hook and all I could hear in my head while the phone kept on ringing were the words you whispered, one night, after we'd made love,"We'll be gypsies rambling the world."

But, with my usual warines, I whispered back, 'When you ramble, you're in danger of treading over rough ground."

And I remember your laughter, gurgling up from your throat. "You'd make a great preacher's wife," you chortled. Then your laughter died and your expression softened and you added, 'I love you, Sophie Johnson."

We were art students working at The Grand Hotel during the summer and on that special night, our decision to backpack across over every country in the world was met with laughter, discussion and a bottle of cheap wine. But you sensed my doubt and I remember you saying I had two choices. Then you sat back, arms crossed, waiting.

I lied to myself as well as to you. I agreed with enthusiasm. You borrowed travel books from the library and after work, we planned routes, our fingers tracing borders from Dover to Calias. Down through France into Spain and beyond.

"Life's a risk," you used to say. "We don't want to grow old thinking, if only." And remembering your words, I repeat aloud, 'If only.'

Here is another card. "Have found work in a bar," it reads. "Come and sample Spain" The town is called Rhonda, high up in the mountains.

You were right, of course. Money and security aren't everything. During that final, angry phone call from Portugal, you accused me of choosing the safer option.
Then your money ran out and I was left, sobbing, holding onto a silent receiver.

I didn't get the chance to tell you that eighteen months later, I married the safer option. But that option left me within a year and I couldn't deny his allegation of frigidity.

Now I'm holding the last postcard you sent. This is one from Sydney. The date stamped is September 10th 1980. Almost five years into your travels.

Overjoyed at receiving a card from you after a long break in communication,I wrote back with a fervent promise that I'd join you in Australia for Christmas. Then I waited for your reply all through October, November and into December.

Was it George Bernard Shaw that once said, "Silence is the most perfect expression of scorn?" I deserved your silence, didn't I?

But now, out of the blue, after all these years, I got your letter, yesterday. You say you'd love to see me and hear my news. You even asked if I still liked Chicken Noodles and Punk music.

What can I tell you when we at last meet up? Chicken Noodles, these days, give me heartburn and my taste in music has changed. I prefer listening to classical music.

At eight thirty, every weekday, I start work at Pennings Potteries where I paint flowers on pots and vases. Then I arrive home at five thirty, feed the cat and pour out a glass of Claret which I drink while waiting for a TV dinner to cook in the microwave.

Reading your letter once more, I wonder what I would do if, on walking into The Grand Hotel, your gaze goes past me, searching for my younger self? Shall I admit in my reply to your invitation that my waistline has spread and my brown hair is faded? Shall I tell you to look for a plump woman with lines of lamentation etched on her face? Or will I wait and surprise you?

Looking up from my memories, I realise the robin has stopped singing and the sea, choppier now, has filled the bay. I shiver and my black cat unfurls herself, gets up from her bed of soft moss and stalks towards the warmth of the kitchen.

Gathering up mu postcards, I return them to the chocolate box and as I walk across the lawn, in my mind, I'm composing a letter which will read:

Dear Davey,
It was wonderful hearing from you again and thank you for your kind invitation.Unfortunately, I will be unable to attend the college reunion but my thoughts will be with you on that occasion.






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Comments by other Members



Becca at 13:01 on 09 March 2008  Report this post
Hell, Jennifer! How could you do that to her?
I particularly liked '...though his gaze followed your exhaust trail over the brow of the hill.'

I did think though, that Sophie had somehow aged unnaturally in the five years from 1975 to 1980. She behaves more like a fifty year old woman than seems quite credible.
She does regret not having gone with him, but there's no real fleshing out of why she didn't. Is it enough to suggest that she was just too timid? She marries someone else - and that would seem a more credible reason not to have - that she'd already met the other man. But then that makes it a different kind of choice from the one you're exploring here, I guess.
Perhaps more emphasis on that hesitation, where it came from, how it affected her in other ways, would give the story an added something? Regret like that is a universal thing, and so the story speaks about something bigger than itself, so I'd like to see more exploration of it.

A couple of typos: 'it's clientele' its
'...across over every country...' extra word here.
'...mu...' -- my?
I enjoyed the quiet quality of the writing, and its clarity.
Becca

V`yonne at 13:46 on 09 March 2008  Report this post
Jennifer, I just loved that. It's so sad - reminded me a bit of the end of Remains of the Day where Emma Thompson's character decides not to go back to Darlington Hall. Are you sending it to a women's mag? You keep telling me to writer something for one but I haven't yet. I'll have to have a go. Care to give me a theme as a challenge? I work better with a challenge.

tusker at 15:30 on 09 March 2008  Report this post
Hi Oonah, Glad you liked it. Actually, Sophie is in her fifties. She's reflecting on the past from 1975 to 1980.
Perhaps I should make it clearer.

Jennifer


tusker at 15:32 on 09 March 2008  Report this post
Hi Oonah again, How about Absence of Choice as a challenge?

tusker at 15:34 on 09 March 2008  Report this post
Hi Becca, Sorry replied to OOnah at first instead of you. It's been a muddling day. As I said, Sophie is in her fifties reflecting on 1975 to 1980.

P.J. at 16:57 on 09 March 2008  Report this post
Jennifer, I had no problem with the eras, although I did have to do a little calculation halfway through. But that didn't matter.
At no time did you say 'If only' and yet, for me, the story was full of it. Does that make sense to you? It's a story so many can relate to, if they're honest.

Couple of nitpicks:-

I left the receiver off the hook and all I could hear in my head while the phone kept on ringing


She left off the receiver to stop it ringing.

I wonder what I would do if, on walking into The Grand Hotel, your gaze goes past me, searching for my younger self? Shall I admit in my reply to your invitation that my waistline has spread and my brown hair is faded? Shall I tell you to look for a plump woman with lines of lamentation etched on her face? Or will I wait and surprise you?


She doesn't question the chance of not recognising him? I don't suppose his hair was still died bright red

V`yonne at 17:28 on 09 March 2008  Report this post
I'll get on it Jennifer. I got the eras okay

Nella at 18:39 on 09 March 2008  Report this post
Nice one, Jennifer.
Like Becca, I liked the "quiet", melancholy quality. And regret, as Becca says, is such a universal theme. I like the way that, although melancholy about it, she seems to come to terms with her regrets.

I didn't have a problem with the era, either. Quite clear to me that we're in the year 2008 and she just received a letter from a lover of thirty years ago.

Especially liked "the lines of lamentation..."

In a couple of places, I felt that "less might be more", i.e. that leaving a few words out might make her thoughts somehow more intimate. Like:
This is one from Sydney.
From Sydney.

and

I prefer listening to classical music
I listen to classical now.

And just a couple of geographical corrections: Salzburg and Calais (I think)

Interesting that you chose a pottery painter as MC. I have an old half-finished story about a pottery painter! (There are times I would have loved to be a pottery painter...)

Cheers,
Robin



tusker at 20:06 on 09 March 2008  Report this post
Hi PJ, I suppose, she still sees him as she once did. She feels only she has changed. Thansk for your kind comments.

Jennifer

tusker at 20:07 on 09 March 2008  Report this post
Hi Robin, Thanks for your kind comments. Thanks too for pointing out my bad spelling.

Jennifer

Becca at 18:58 on 10 March 2008  Report this post
Oh, I see Jennifer, reflecting back on the period between 1975 and 1980. That may just be my misreading.
Becca.

darrenm at 19:22 on 10 March 2008  Report this post
Hi Jennifer.

This was a very sad tale, and as already mentioned, meloncholy and atmospheric. I liked how the story began with the 'lazy waves' and ended with the tide in and the sea all choppy.

Very true that a person can change considerably in a physical sense over the years, yet it seemed that inside Sophie hadn't changed at all, despite her regrets and the fact that she now listens to classical music, still displaying the same old cowardice that she accused her younger self of.

Sophie's boyfriend did seem very persistant and determined over a long period of time to get her out with him and I found myself wondering why, after all the broken promises. I'm probably just being cynical, but he's young and sure to meet other young ladies on his travels? I'm curious as to what it is that makes him so relentless in his efforts. Is it merely love?

'Remember when you first met my late parents...?' The word 'late' seemed a bit misplaced here, a bit too formal, not sure if she would refer to them as 'late' whether he knew they were dead or not.

There's a good feel to this story and I believed in the character without being particularly fond of her. She seemed the type of person that wallows in sadness and I've known a few people like that!

Good story,

Darren.

tusker at 19:48 on 10 March 2008  Report this post
Thanks Darren. Sophie is the product of a very prim, conservative parents. She was born in the fifties, a different era. Glad you liked it.

tusker at 19:49 on 10 March 2008  Report this post
That's okay, Becca.

Buzzard at 22:49 on 12 March 2008  Report this post
Hi, Jennifer
I liked this immensely. Funnily enough I found the narrator really irritating on the first read (which isn't to say that I didn't find the story compelling)then on the second read found her more fascinating. Infuriating might be a better word than irritating, but that's the point, I know, and brilliantly pulled off at the end with her decision not to meet up.

Curiously, my presumption throughout was that she was actually writing a letter anyway. I only realised right at the end that we were party to an interior monologue and that she isn't addressing Davey at all. I'm guessing now that this was a deliberate ploy on your part. Deliberate or not, I liked being tripped up like that. Only criticism I have of it is that when believing she was writing, I found her style rather mannered. It was one of the things I found irritating about her; though I could believe that somebody might put on those kind of airs. When I realised that she was speaking to herself, as it were, I found it less easy to accept. Sentences like 'heading toward that inevitable void' & 'lines of lamentation etched on to her face'just didn't quite ring true for me.

Similarly, there were a couple of points where it sounded a little too much like she was talking for the reader's benefit, e.g. 'We were art students . . .' & 'I realise the robin has stopped singing now'.

I have to admit I did wonder at their attraction to each other in the first place. I know opposites attract and all that, but I think making him a punk might be over-egging it a bit. And to jdge her by what else we know, I found it difficult to believe that she could ever have been that into punk music. On the same subject, I wondered about the time frame: I'm pretty sure that punk arrived just a little later than 1975. Not a big problem at all, as I see it, because like I said I don't really feel that you need make Davey a punk. An adventurous romantic soul would work just as well if not better.

Whatever . . . Really lovely story.
Cheers
Clay

tusker at 15:12 on 13 March 2008  Report this post
Thanks Clay.
Appreciate your comments. I knew a girl with strict parents like MC but she was Jewish. More surprisingly, she fell in love with a non-Jewish lad from our gang. I think it was a mixture of lust and rebellion on her part. She remained unmarried. Will take heed of you advice.

Jennifer


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