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Requiem

by tusker 

Posted: 11 January 2008
Word Count: 885


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Mattie watches fluted lips in noisy movement. Large veined hands rest upon a rising, rattling chest. Late afternoon sunlight reflects off the top of a bald head. Two wisps of hair, the colour of pewter, stick out from neat ears.

She turns her gaze away from the sleeping form of her husband. Outside, cobwebs dance across her vision spangled with raindrops from a recent downpour. Out in the hall, the grandfather clock strikes a quarter of an hour. The chime rings hollow about the large house.

Slowly, with painful care, she picks up the sherry decanter from an old rose wood sideboard and, as she does so, a flash of blue catches her eye. The airmail letter, stuck behind a cracked fruit bowl, arrived that morning. At first, Mattie hoped the letter was from her only son.

But familiar handwriting told her it was from her American pen pal, a woman she'd never met but had written to for over three decades. In her letters, Mattie poured out all her dreams and many white lies about her life in the affulent seaside town she's always lived in and, in return, Eleanor has told Mattie about her rounds of golf, exercising, enjoying dinner parties with her wealthy friends.

Pouring herself a small glass of sherry, Mattie sipping, imagines Florida, the heat, sunlight. Then raising her glass she makes a silent toast to her beloved Arthur and as she does so, notices dampness spread out between his legs.

Since the arrival of Eleanor's latest letter, Mattie's gone over and over what excuses she'd make when her pen pals rings.

"I'll be in the UK at the end of next month," Eleanor wrote. "Will give you a call. We can make arrangements to meet up. Maybe take in a London show?"

Panicked, realising that her fictional life would finally be revealed, Mattie paced her kitchen, knotted fingers plucking at the air until, after a lot of thought, she decided to write an honest letter in return. Now was the time to admit the truth.

Momentarily, she'd felt better until sadness overwhelmed her as, later, she hobbled down to the post box. On the other side of the road, her new next door neighbour pushing her baby in a smart pram, smiled and returning the smile, Mattie longed for the young woman to stop and have a chat.

Sighing at the recent memory, Mattie places her empty glass down on the sideboard. From his chair, Arthur makes a sound as if mimicking hers. Outside, a cloud passes over a lowering sun and she thinks that once, they were young. Once they were active.

She begins to hum a tune, a tune popular during the Second World War. Then she stops and recalls the joys of new motherhood. She remembers the security and love Arthur always gave to her. She sees in her mind's eye, their son Phillip as a laughing toddler and child.

Then he grew up. Went to university. Smiling, she glances at a photgraph on the sideboard showing Phillip holding up his degree.

Subtle changes began, so subtle that she hadn't recognised them. Phone calls and visits home became less regular and a year after gaining his degree, Phillip annouced he was off to Canada and seeing him off at the airport, Arthur assured her that their son would be home within a year.

Five years on, Phillip met and married Patsy and they settled down in Toronto where they've remained for many years. On the one and only occasion when Phillip returned, Mattie sensed that the elegant Patsy had taken a dislike to her parent's-in-law and their shabby surroundings. After the couple departed in their hired car, Arthur, standing on the doorstep, waving them off, said, 'Don't worry, darling, we've got each other.'

Gradually, without being aware of time passing, she and Arthur have grown very old together, living in the same house they bought as newly weds, sixty years ago. Money was tight. The house too big but selling up, buying a small place, had never entered their heads.
'This place is our heart and soul,' Arthur often said.

The grandfather clock out in the hall chimes five 0'clock. Arthur's breathing is quiet. Mattie, going over to her husband, kisses the top of his head. Then, taking a tartan rug from the arm of his chair, she tucks it around him, whispering softly, 'Now you're as snug as a bug, my dear.'

Picking up his empty whiskey tumbler, she leaves the lounge, crosssing the hall into the kitchen. Rinsing the tumbler and wiping it dry, she lifts up a cheap bottle of white wine from the table and carrying both tumbler and wine in arthritic hands, she leaves the kitchen, switching off the light, crossing the darkening hall.

Slowly, she climbs upstairs and enters her bedroom. Sinking down onto the bed, she pats the bedspread, remembering how as a young mother, she'd stiched each colourful square with nimble fingers.

On the bedside table are her sleeping pills, stored up over many months. Earlier, half she'd ground down and put into her husband's whiskey. The other half she tips out onto the bedspread and as she takes the tablets, washing them down with wine, she wonders what Eleanor will think when she reads the final truth.







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Comments by other Members



Nella at 17:51 on 11 January 2008  Report this post
Oh, Jennifer, this is very sad, and very good. Really.

I've just noticed up a couple of typos:

pals rings
- pal rings

She sees in her mind's eye, their son Phillip

I would either use another comma behind "she sees" or leave the one after "mind's eye" out.

The house too big but selling up, buying a small place,
I'd use a comma after "too big"

0'clock
o'clock

she leaves the lounge, crosssing the hall into the kitchen
- "crossing"

crossing the darkening hall
crosses the darkening hall (?)

Earlier, half she'd ground down

This sounds a little awkward. Maybe: she'd ground down half (??)


Sorry for all the little nit picks, but in my job, I proof read a lot of texts, and just tend to notice these things.

I think this is a powerful story. Good work.
Cheers,
Robin



tusker at 07:03 on 12 January 2008  Report this post
Hi Nella,

Thanks for your advice and kind comment. It was a longer story, originally, which I've done nought with up until now. I tend to write sad tales.

Regards,
Jennifer

groovygal2k at 15:00 on 12 January 2008  Report this post
aww i liked this story, but it is very sad! it took me a while to realise what was happening at the end, but now i know.
you're really good.
x

tusker at 16:21 on 12 January 2008  Report this post
Hi Katherine,

Thanks for your kind comments. Didn't want readers to know what she'd planned but needed to put them in her situation before she carried out the inevitable.

Regards,
Jennifer

P.J. at 13:01 on 14 January 2008  Report this post
At first I assumed the husband to be in bed. What surprised me was that the wife makes him comfortable in his chair, giving him his final drink, then goes upstairs to bed for her own drink. Wouldn't she have wanted for them to go together? Apart from this the story was so believable.

tusker at 14:00 on 14 January 2008  Report this post
Hi P.J.

Glad you thought it was believable. I thought that having a rosewood sideboard with a decanter of sherry on it might let on that they were downstairs. Wife went upstairs as hubby was disabled. She was waiting for him to die before carrying out her last necessary deed. Will adjust. Thanks.

Regards,
Jennifer

V`yonne at 14:36 on 14 January 2008  Report this post
I like this Jen but it's all been said and isn't it brilliant to have Nella to cast an eye over things - she';s so good. :)

Nella at 15:07 on 14 January 2008  Report this post
Hi Jennifer,
I was just reading through this again, and the comments. It's interesting that you say the husband was disabled. I didn't get that. It was clear to me that he was somehow old and infirm, and I rather assumed that he was maybe not quite "there", maybe in the process of dying anyway. And the story works that way. Now I wonder: if he is disabled, was he aware of what was happening to him? Was it his choice to die this way? And is she acting out of mercy, or does she feel she can't live the lie she has been living anymore and chooses this as her way out?
Maybe I'm getting into some heavy questions here that go beyond the scope of the story, but they sort of creep up on me...I guess because I've dealt with similar questions in the biography I wrote, and I've been thinking about trying to write some related short stories...
Regards,
Robin


tusker at 15:49 on 14 January 2008  Report this post
Hi Oonah,

Thanks for liking it not that it's a cheerful little tale which, as you know, is not one of my strengths.
Regards,
Jennifer

tusker at 15:57 on 14 January 2008  Report this post
Hi Nella,

He's disabled as far as feeble in mind and body. She is a proud, lonely woman in pain, afraid of the future and unwilling to leave Arthur alone. The suicide had been planned for a while and her pen pal's letter was the spur to carry out the act. I didn't want to make her appear cold or brutal. It's a choice, I suspect, quite a few elderly folk consider.

tusker at 15:59 on 14 January 2008  Report this post
P.s. Robin, As Oonah says, it's great that you take time to read and give us constructive advice.

Buzzard at 08:14 on 15 January 2008  Report this post
Hi, Jennifer.
This is terribly sad, and really very moving. (You always conjure atmosphere and characters' mood so well!) But I have to say I was left a little frustrated because you gave us no clue as to why Mattie had kept up the lie to her penpal for so long — and why this should have pushed her so far over the edge as to commit both the murder of someone she obviously loves dearly and suicide. I understand her sadness at her son's never having returned home to visit, and suspect that it might have something to do with the delusion, but more indication as to Maddie's motivation might not go amiss?

I don't know. Maybe that's just me, always wanting the whys and wherefores spelled out!

Otherwise, on a more practical level, I did think the initial description of Arthur a bit impersonal, especially given the affection she shows for him later. Could it be warmed up a little?

And I wonder if the story wouldn't be served by foreshadowing what she's done. Upon noticing the spreading dampness, she could apologise sadly for the indignity she has subjected him to? It's just that I didn't understand until the disclosure why she would so calmly have left him in that state. Or perhaps she could worry when he makes the sound that mimicks hers that she hasn't given him a high enough dosage? That she has killed him doesn't have to be made explicit, but I don't think a hint would go amiss.

All just suggestions, of course! As I said, as ever the mood is conjured wonderfully.

Cheers
Clay


Nella at 09:27 on 15 January 2008  Report this post
There really is a lot of substance in this short little story, Jennifer! I think that's the mark of really good writing.
You did it well, portraying Mattie as NOT cold and brutal. And I can understand that she thought that they've lived their lives and maybe been happy in their way, but now they are old and he is not able to take care of himself, and she's lonely and can't deal with the situation. So they might as well exit now instead of facing all the issues of sickness and maybe having to go to a nursing home or whatever. The pen pal's letter doesn't push her over the edge, as Clay suggested, it just makes her realize that the time is ripe to carry out this last act. Maybe it is an act of love.
That said, I wondered, too, what the mimicking sound was. I interpreted it as possibly being the sound he makes when he dies, but I wasn't quite sure.

You really got me going on this story, Jennifer!

And - I like editing, actually, and am happy to do it. I just hope I don't get on people's nerves with it!
Cheers,
Robin

Becca at 10:31 on 15 January 2008  Report this post
Hi Jennifer,
how sad and dark this is. I was thinking the story would be about how Eleanor came to meet her and how she pretended everything was alright in her life.
I think that it's a story essentially told rather than shown, and although I can't think this instant how you could show rather than tell, it would give it texture and maybe structure if you could. Perhaps the section about their son, which is the saddest part of it, could involve more dialogue. I think this would help to give the story more shape.
Becca.

tusker at 14:20 on 15 January 2008  Report this post
Hi Robin,

Yes, you're right about the sound, it is the sound when he dies. Sadly, I've heard that sound, a last small release of air. As I said, it was a much longer story which I thought rambled a bit.

Regards,
Jennifer

tusker at 14:38 on 15 January 2008  Report this post
Hi Clay,
Thanks for your comments. I didn't think I needed to explain about Mattie inventing a fictional life in her letters but perhaps I should.
But Mattie wouldn't apologise for Arthur's incontinence as she was well used to it. The letter is a catylst on a decision she made a while ago, having stored up her sleeping tablets, which she ground down, giving half to Arthur before giving herself the other half.
But I think I'll go through it again.


Regards,
Jennifer

tusker at 14:49 on 15 January 2008  Report this post
Hi Becca,

Thanks for your suggestions. Will try and do something about the son. Once, I worked with the elderly, two just like Mattie. Children left, went abroad, or up country and they hardly saw them again. No arguments just inertia on their children's part. Had to resign after 3 years as the sad ones played on mind.

Regards,
Jennifer

Becca at 14:58 on 15 January 2008  Report this post
I know, Jennifer, I worked with elderly people as well a few years ago - it gets to you like little else can.
Becca.


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