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the last lie

by Jenniren 

Posted: 14 June 2006
Word Count: 2144


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Later it was put down as a cruel hoax, thought by most as a purposeful act of painful deception, the final twist of the knife. But she never meant to leave that radio on. To let the gentle sound of angelic voices echo through that empty catacomb of a house creating the illusion that somewhere there was somebody. No she had never meant it nor the devastation it caused.
She had merely turned it on for company, twisting the dial to find soothing music, anything that would fill the air and her mind. She had found the classical music station and turned the volume to high. She had let the melody fill her sense as her tears fell unhindered, her body weeping over the heart ache she could not yet feel.
She took her clothes from the shelves, neatly folding them into the large black suitcases lying across the patchwork quilt they pulled over the bed every morning together. It had been a gift from his mother when they had first moved into together. She remembered putting her things in place believing that they would be forever woven together with his. Their books, albums, pictures and underwear stitched together forever like the squares of fabric making something beautiful and complete.
And everything had become woven into one set of belongings. As she looked around their bedroom she could not tell what was hers and what was his. It was all theirs and that was why she took only her clothes. They were all that was hers alone anymore, the only definitive part of herself she could remove from the house.
As she folded and the violins swirled around the cello in the air above her head she tried to push aside the words. Poison words, so softly spoken, so innocently strung together, yet so deadly in their combination. Once they had been spoken aloud there was no other action but to leave. Those words were a death sentence. She tired not to think of them or what they meant or how they were released.
She focused on the music as she collected her undergarments, leaving the lingerie he loved so much. All the silks and satins and lace piled together in the pinewood drawer looked so pretty with out the cotton to diminish there beauty. Each finely crafted ensemble chosen by him to fit her body perfectly, to celebrate the loveliness he saw in her. She reached a hand out to touch the fabric, her fingertips grazing the smooth liquid finish of silk before those words floated into her mind. She slammed the drawer and began to zip up the suitcases.
She went to the bathroom and looked around. Her perfume and makeup, his aftershave and razor, their tooth brushes resting against one another in the pale blue ceramic cup. In there she could smell him. She felt the familiar ache in her bones, the tension in her skin the physical need of his touch. How would she live with out him? She sat down on the edge of the bath as a sob ripped through her body.
She had lived without him before but even before she met him she had missed him. His first kiss had been the very first time she had felt truly alive. The first time she fell asleep in is arms was the first time she felt contented. He was home to her. She closed her eyes and felt her heart collapse. She didn’t want to go but what choice did she have.
She had always believed they loved each other with equal measures. That they shared a mutual devotion. When she tethered herself to him it was meant to be forever, their beings intertwined for all eternity. In fact if she had not been utterly convinced of this she would never have let him into her life.
What a fool she had been. She had taken his lies for truth and let him use her. Those words showed everything they shared to be false. She could no more live in blissful ignorance of the truth. She had to face up to the terrible fact that to him she was just another woman.
“Hi!” the girl had said shyly as she’d answered the door. The person on her doorstep was no older that 10, short and neat with wide green eyes. She would not have been surprised to see wings sprouting from beneath the pale green sweater of that girl.
“Hello?” she had let her own head fall to the side in a question as she looked at the girl.
“I was looking for ammm...” those large green eyes dropped to a piece of paper clutched between her delicate fingers, “Mr Adam McKenzie…”
“That’s my husband.” She had found herself smiling, and the child smiled back.
“Oh great…he’s my dad!” The girl had beamed up at her, “I’ve been looking everywhere for him. Is he in?”
“You dad?” she had felt the lightness coming over her then as she bent to face the child, “how old are you?”
“8.” She smiled, “My name is Amy McKenzie, my Mum named me after him.” She kept smiling as she talked cheerfully, “She’s called Rachael Henderson, Do you know her?”
“Ahh…yes. Yes I remember Rachael.” And she had remembered the woman. She had lived next door to Adam when they had met. In fact Rachael had lived next door to him until he had moved in with her.
“Mum doesn’t know I’m here.” The child leaned in, as she found herself gripping to the wall in an effort not to faint. “She said Daddy can’t be with us but that he gives money cause he loves me. I found his address in her secret place. I just wanted to see him one time and tell him I don’t mind him not being with mum but that I’d like to see him instead of getting money.”
“Sweet heart, he isn’t here just now.” She had patted the girl’s soft red hair and looked at her intently. She could see Adam in that little person. Then she had brought the child inside and made her some juice.
She had let the little girl write down her address and phone number and a message for her father in neat rehearsed script. Then she had called a cab and dropped the child back at the house she said was hers. Inside she had looked at Rachael and not asked the questions she wanted to. Rachael had looked at her defiantly and then half smiled.
“I wasn’t the first and I doubt I was the last!” that was all, that ginger haired vixen had said before she closed the door.
The cab was still waiting outside the house as she left the bathroom leaving behind all but her tooth and hair brushes. She pulled the bags down the stairs and let the man carry them out to his car. Then she stood and removed her rings leaving them on top of his daughters note. She shut the door and mentally said a firm finally good bye before she climbed into the car.
She didn’t know that the radio was still on and that Rachael Henderson was not a woman to be trusted. Adam had lived beside her for two years when he found the love of his life. Rachael had adored him, more than that she had worshipped him. Like many foolish men Adam hadn’t realised. He had treated her as a friend and once or twice in the early years of being neighbours they had spent the night together. Never once had he suspected how she felt for him or reciprocated, even for a moment, her feelings of love.
When Adam first brought Helen home, Rachael had sneered and told herself that she was the only lasting woman in his life and soon he would realise that. But as the months rolled by and Helen became a fixture in his life Rachael’s love hardened and became bitter. Adam would talk of nothing but the perfect Helen, his soul mate his one true love. His angst over how he would ever persuade the cynical commitment phobic to be with him forever was poured out onto Rachael with out a thought for how she must feel.
Rachael disliked Helen form the first time the pair had ever spoken. As time went on and she refused to commit to Adam, as she messed him around the dislike hardened to detest. And when She finally consented to marry him, her detest was cemented into hatred.
Rachael made one last attempt to bring Adam back to her. She invited him round for some beers and told him how she felt about him in the hopes that it would bring him to his sense. But Adam only hugged her, telling her how wonderful she was and how someday she would find somebody who deserved her love. She pleaded with him, begging him to at least try and love her. But he remained firm, he loved Helen and Helen alone.
Rachael had waited a long time to enact her revenge on Adam and Helen. So when Helen brought home her daughter she simply grasped the moment to stick the knife in. She had no idea that her words and that of her daughter would lead to the actions took by Helen. She had merely hoped to put the cat among the pigeons so to speak and to see Adam’s face one more time. She sat sipping coffee wondering if she would still have the same old feeling as Helen packed.
And Adam he was sweating and laughing as his life broke apart. He was aiming the heavy orange ball at a hoop and missing as his beloved left their home forever. Nobody could ever understand why she didn’t wait to hear him out, but Adam did. He understood Helen, he understood that she was not built to withstand the breaking of her heart or their union. He understood that by running away and never hearing details she could defend against it. Helen would block as much of it out as possible, tell herself that it wasn’t love for either of them. That it was an inevitability of life. Adam understood that as he sat in the dark drinking whiskey and longing for her in those long nights after she left.
Adam full of the joys of winning and adrenaline slapped the backs of his friends. He laughed and joked as they had lunch, not knowing that Helen was getting on a plane. He left his buddies boasting that his wife would be waiting for him. Indeed she always waited for him after his game on Saturday afternoons.
She would meet the girls for brunch and drive home to be there for when he got in. She would put on some satin or lace and let down her hair. He would come home, follow the sound of music to where she would be laying waiting to consort with him. A goddess waiting for her god. They spent Saturday afternoons celebrating each other.
Adam sang along with the radio, a happy man. Faithful to his wife in every way, half dreaming of the child they were hoping to have someday soon. Perhaps he knew then, half in his heart. Some link between them had brought children to his mind as he drove and he smiled to himself.
He pulled into the driveway that day trying to guess what she would wear for him, thinking how lucky he was. He opened the front door confused that he needed his key. He saw the ring and was about to go to look at it when he heard the music. The mere sound of it made him tighten. He closed his eyes and smiled, dropping his bag and removing his coat.
Where would she be today? Images of past encounters flashed in his mind, in the study on his desk, in the bathroom water all around them, in the kitchen, garden….his breath caught as his body began to ache and plead for her. His eyes needed the sight of her. He listened for the music and began to climb the stairs.
As he moved though their house, he noted how completely their lives had become weaved together. He stopped at the top of the stairs to removed his shoe’s and socks. Realising the music was coming from the bedroom, unaware of the pain that awaited him. Filled with thoughts of flesh and silk he made his way down the hall. Pausing outside the door, he rested his head against the wood imaging her on the other side prone and ready for him. His hand went to the handle as he called out to her that he was coming but when he opened the door nobody was there.









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Comments by other Members



niniel at 17:24 on 14 June 2006  Report this post
Great Jenni, a lovely fluid piece of writing here!

One picky point to make
cynical commitment phobic


I think you should change that to commitment-phobe.

Aside from that I think you set the scene well, it was very evocative and I thoroughly enjoyed it.

Issy at 16:04 on 15 June 2006  Report this post
I thought the beginning was amazing, so into the mind of the main character, thinking and feeling with her. I was intrigued as to what the cruel hoax was.

The change of viewpoint to Rachael did disorientate me slightly and again with the change to Adam. Maybe there should be a double line space to show the change.

I was also a bit confused as to where Adam was and what it was that Rachael had said - sorry if it's me being thick here. I was expecting some sort of twist at the end - maybe she had left a trap for him - the twist of the knife hinted at the beginning - or something unpleasant for him to find. I also started to think that maybe Helen had been a bit premature in leaving because it was - I assume - an earlier relationship.

But so atmospheric, and so inside the minds of the three people seeing the situation from three different viewpoints.

PLease ignore if not helpful.

Jenniren at 18:03 on 15 June 2006  Report this post
Thanks Issy,
i kinda meant the hoax to be the radio left on, like pretending she was still there when she was gone. And to indicated that if the child was his he would of had to have impregnated racheal while he was with Helen.
i also wanted to explore the whole idea of deal breakers. You know, what would make you give up on the love of your life...an affair, abuse, ect. It interesting that you think it was premature cause i did want to imply that generally...that maybe people give up too easily these days.
Glad you took the time to read and comment. I appreicate all feed back and thought your comments were very helpful.
Thanks Jenni.

Issy at 21:29 on 15 June 2006  Report this post
I seem to have missed the clues, Jenni, sorry. It's an interesting story idea - like the idea of the deal breakers and the question of what you would give up.

Jenniren at 22:01 on 15 June 2006  Report this post
no need to be sorry. it given me something to think about when i redraft. see if i can make it clearer. It's good for me. Thanks

Kia at 14:17 on 16 June 2006  Report this post
Hi Jenny,

I enjoyed your piece but, like Issy, was a little confused by the story’s direction.

I don’t think it’s clear enough that Adam was having an affair with Rachael while he was with Helen – in fact it was only by reading your later comment that I found this out. The way it’s written implies that their relationship ended when Adam had moved in with Helen.
He had treated her as a friend and once or twice in the early years of being neighbours they had spent the night together. Never once had he suspected how she felt for him or reciprocated, even for a moment, her feelings of love.

I’d assumed that the reason Helen leaves him was because he hadn’t told her that he had a daughter from a previous relationship which then did not seem a strong enough reason to just disappear from his life like she does.

I loved the way you began and ended the story by referring to the radio - the voices and music filling the space left by Helen. Subtle and moving. Excellent!

And everything had become woven into one set of belongings. As she looked around their bedroom she could not tell what was hers and what was his. It was all theirs and that was why she took only her clothes. They were all that was hers alone anymore, the only definitive part of herself she could remove from the house.
This is nicely-written – I like the idea of the clothes being part of her identity which she can remove from their life together.

However, you contradict this slightly in a later paragraph where the narrator tells us:
Each finely crafted ensemble chosen by him to fit her body perfectly, to celebrate the loveliness he saw in her.
It seems that he was involved in choosing some of her clothing which weakens ‘the only definitive part of herself’ paragraph.

Hope that's of some help,
Kia


<Added>

Oops sorry - realised I addressed you as Jenny and not 'Jenni'. (My 'real' name is quite unusual and is constantly misspelt - I should be used to it by now but it always seems to annoy me!)

Jenniren at 02:07 on 17 June 2006  Report this post
thank you, Kia. Your comments are very helpful. i did want to make it clear that she left the underware choosen by him behind..because he chose it. But i'll bare the feeling of contradiction in mind when i redraft.
I really appricate you taking the time to read and comment. and spell my name right, thanks again, Jenni

darrenm at 18:11 on 21 June 2006  Report this post
Hi Jenni,

I enjoyed this, especially on the second read when I pieced most of it together, the comments above also helped but you already know what to work on re those.

There is such a beautiful atmosphere to the whole story and I agree that opening and closing with the classical music is a master stroke. Your characters are perfect for a short story, and I really felt Helen's sadness and also her unwillingness to hang around and hear Adam's side of the story worked for me.

There have been some good suggestions already which also occured to me so I won't repeat them.

Kia makes some good points but I disagree that finding out about the little girl wouldn't be a good enough reason for her to leave: it depends on the person's mental frame of mind, we know that Helen was reluctant to commit in the first place so after giving her life to him, she would have been devastated to discover this huge indiscretion.

Actually, though, on first reading I thought the girl came to the door after Helen had packed. Up until and including the moment Amy arrives there's quite a bit of flashback and skipping between past tense and the 'had' tense (it's name escapes me!!) so I found it hard to work out a timeframe for the events, but that could just be me!

Also we don't find out that the MC's name is 'Helen' until, I think, more than halfway through. The section where we have Rachael and Amy in the story 'Helen' is only known as 'she', maybe if we knew her name earlier you could slip one or two 'Helens' in to save a bit of confusion as to who is who.

A major plus is that I sympathised with all your characters, even Rachael and Adam, '..Rachael Henderson was not a woman to be trusted.' (although women readers may go for Adam as the biggest baddie) So I don't think you are that far away here from pulling the story together.

Wasn't sure about Rachael's 'dislike hardened to detest' then 'detest cemented into hatred' I get what you mean and both phrases are good but they seem to clash (i.e. the 'detest' is already hard before it cements)

There were several typos that I won't nit-pick about because I'm sure you'll pick them up in the next draft.

A good story, hope I've been helpful.

Darren.

Jenniren at 18:37 on 21 June 2006  Report this post
Darren, thanks. I appricate your comments and will take them into acount when i rework the story. Plus it's nice to get a guys prepective on on the piece.
Jenni

Becca at 09:44 on 27 June 2006  Report this post
Hi Jenni,
I think the story starts off well. The idea of their possessions getting woven together like the patches on the quilt is good, but I think the idea would have had a lot more impact if you'd just included it as a couple of good sentences.

I like the way the separate words, although they are not told to us literally, when put together make something different in the same way the patches of material do when put together as a quilt. Linking ideas like this together is excellent.

Darren picked up on something I also thought about, not naming the MC for a long time, -- things can get confusing sometimes when you've got two female characters interacting and proper names aren't used. Later on I'll get to where I got confused about that.

The way the flashbacks are laid out in the story added to my confusion as well, but I'll come to those later as well, and they've been pointed out already.

'without the cotton to diminish there beauty' -- their
'...the tension in her skin...' a comma needed after skin.

In the para 'she had lived without him before' the word 'first' comes in four times.
'equal measures' usually in the singular as 'measure.'

I think Helen's reflections about her life with Adam could be more powerful if they were edited right down to a few really strong sentences, and it would help to give the story more texture, tension, tone and shape.

If you had a double space before the first piece of dialogue it would help to indicate that the scene is a flashback in time.

'you dad?' your.

'The child leaned in, as she found herself gripping to the wall in an effort not to faint.' Here, I thought it was the child trying not to faint at first. You could fix this by giving the woman her name, or changing the sentence around a bit to something simpler maybe? -- As she watched the child leaning in to look inside the house, she gripped the wall to stop herself fainting.'
I think the tense in this section is a bit clumpy, - 'she had remembered the woman', 'she had lived next door', -- If it's clear from the start of the scene with the child that it's a flashback to the past, you could just use the simple past tense, then you could get rid of the sentences begining with 'then she had', and just say 'she brought the child inside', 'she let the little girl write down her address', 'she called a cab.'

'Inside she had looked at Rachael...' here, it wasn't clear that she was in the other woman's house for a moment. Because it's one of the high tension parts of the story, it deserves more emphasis by maybe making a new para and making it clear in the first sentence what the new scene is, say along the lines of: As she stepped inside Rachael's house with the child, she.......
In the same way, 'The cab was still waiting outside the house' is another new scene which needs separation from what's gone before it.

daughters -- daughter's
'... a firm finally...' -- final

At 'Adam had lived beside her for two years when he found the love of his life' I hesitated about who is being referred to , Rachael or the MC?

'Detest' is a verb, but if you did make it into a noun, which it needs to be, it's an awful one, 'detestation.' Loathing might do the job better.

At this point in the story the emphasis shifts away from the original MC, Helen, to the slighted woman Rachael. While I might be alone in saying this here, and don't want to be too pedantic, the short story form lends itself neatly to having just one MC for a very practical reason and that is that the word limit is very restricted and the writer needs to keep really firm control on the storyline itself. So when you've got more than one point of view in a short story, unless the story is constructed into separate blocks almost like mini chapters which have different MCs, it begins to stray into the territory of novel writing.
What having more than one point of view has done to your story is to weaken the shape of it, -- it makes the story swerve off in a different direction, the reader gets interested in the new MC and all that's gone on behind her, and I personally started to lose tract of, and interest in, Helen. So, for me as a short story writer, the story starts to blur here and to lose shape. And then when a third MC, Adam, comes into the picture, the story drifts far away from the short story form. I think if you did block it out in three sections, one for each of the three characters, this story would be very much stronger and have a lot more structural integrity.

I didn't find myself empathising with the characters. There is something very sensual lurking under this story, but I'd have liked to have been allowed to be closer as a reader to the characters. Dialogue is a fantastic tool in story writing, you can hook the reader with just one line of dialogue carefully placed.

At the end of the story I wasn't sure what the function of the music was. At the beginning there was the suggestion that something bad happened because of the music, but I didn't get it.
I think you mentioned above the idea of people giving up too easily, and I think that's a great theme, so if the theme was kept right up front of stage in the story, I reckon you could make something good here.
Becca.




Jenniren at 19:00 on 27 June 2006  Report this post
Becca, Thank you for taking time to read and comment on this story. I think you make many good points and as i am only gettung into short story writing i could really benifit from such contructive critism. Jenni


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