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An extract from ‘Body play’ by Sam Rix

by Sam Rix 

Posted: 07 March 2006
Word Count: 1022
Summary: This is my first exploration into contemporary writing for women, in a novel titled ‘Body Play’. It’s an extract I am considering putting forward to a woman's magazine for feedback, but before I do, I'd appreciate your comments and advice people? Love and luck Sam


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Jenny watched as once again the brown belt was slammed into the mat, above him floating on the balls of his feet in almost perfect balance the instructor smiled and retreated, waiting for his student to rise again from the floor.
His smile radiated humour and peace, in this place, his dojo, his club…
Looking around the hall, Jenny could see other martial artists in various stages of movement, like a kaleidoscope of living white-clad jigsaw puzzles phasing in and out of time, until one party cascaded to the mats or flew into the air in fanfare of success, before a crescendo of impact.
There must have been twenty five students and instructors here tonight, more than she’d seen present before, evidence of ‘the Carl effect’ she’d heard so much of, the returning of the head teacher.
Many were watching Carl as he trained, as he vied with his opponent. He possessed a mesmerising quality in the way he moved, like you were being drawn to the culmination of the next throw, you couldn’t tear your eyes away until the act had been completed.
There were upwards of seven students and instructors, watching and waiting in expectation of the call to end the present sparring contests. All eager to take the next turn with Carl, keen to test themselves and hope for a throw against the dojo head.
Carl had been the senior instructor here for over fifteen years, working his way up the grades until he was one of the lower instructors, helping, guiding, and chastising the students, protecting the members from excessively aggressive fighters from other clubs who visited regularly.
Jenny had only been at the dojo some three weeks, having moved down from Manchester recently. She had sought out this club, eager to meet ‘Carl’ and to continue her training, keen to meet the instructors so highly rated by her old instructors in Manchester.
Jenny was no slouch when it came to her Aikido, having trained for nearly six years, but she could see her level was below that of the black belts at this club, they seemed to have an extra gear, an extra sensitivity to the art, which she did not yet possess.
This was the first time she’d seen Carl in action, he’d been away in Europe on a teaching seminar when she had arrived. She had been irritated at the time, but in reality the few weeks had allowed her to acclimatize to the club, before the Maestro returned.
“Yame” called the time keeper to stop the bouts, quickly calling commands to bow and swap for new partners.
Jenny missed her chance to practice with Carl, as a very keen young black belt positioned himself opposite the head instructor for the next bout.
The end of the class brought the sitting meditation, a few minutes where everyone got their heart and breathing regulated and relaxed their thoughts. This was a time to think of nothing, to let your mind drift with no direction or subject, to feel, rather than contemplate.
Jenny found she was unable to relax her thoughts, her mind in a whirl over Carl, his reputation had not been over stated. While Carl was not blessed with movie star looks, he was none the less a magnet, it was in his eyes, in his confidence, in his peace. She could see now why Ellen had been attracted to him.
Jenny struggled to ignore the stirring within her. She was not here for this and it was immoral for her to even let such thoughts in.
She had a goal in mind, ‘stay focused’ she told herself.

With the class over, students left the mats to take showers, leaving behind a small core group of black belts. This small crew continued with the fighting a few moments later, in a more exclusive clique.
This was then where these Dan grades gained that extra ability, where they and Carl honed their skills.
Jenny sat watching as the fighters increased the tempo of their bouts, as they flourished with freedom unseen in the rest of the class. Now their voices were evident with teasing and laughter, everything allowed in this senior play time.
Here the black belts all began to show more gracious throws, to produce techniques with a sublime skill and to breathe harder.
Every so often, Jenny saw that Carl would look at her, a momentary flicker of notice between the windows of avoidance movement or a throw. In fact every one fighting would catch her eye every so often, it just seemed that with Carl, it was more intimate.

Finally the end was called and each stood panting and smiling in a contented acceptance. And there stood Carl, his blond hair lank against his sweaty forehead, his pupils dilated, with a contented smile on his face, grinning like a big care free kid.
The group bowed out of their practice, all reverting to chatty boys, keen to remember that fabulous technique or to take the Mickey out of some one who fell for a sucker throw.
Carl came towards her with the group.
“Carl, this is Jenny, she started here a couple of weeks ago.” one of the instructors introduced her…
“Hi, I’m Carl, welcome to the club…” he offered her a hand.
“Hi, thanks, it looked like fun out there.” She replied, taking the hand and reminding herself that she had a duty to do.
“It is, maybe we can do a little sparring next time?” Carl replied.
“I’d like that.” Jenny replied, trying to stifle the anger building slowly like a creeping ice field.
“You know Jenny, you seem familiar, when I was fighting, I kept rechecking and trying to place your face, have we met before?”
“No, Carl we haven’t, this is the first time we've met.' Jenny admitted.
God, she almost blurted it right out there! 'That he should recognise her face, she was an exact double of her mother, Ellen Mitchell, the woman who had his child!
Whoa girl, calm down. Get to know this man first, before you decide to enter his world, remember, he never knew...'






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Comments by other Members



Anna Reynolds at 10:16 on 08 March 2006  Report this post
Hi Sam, I like the way this builds up, curious to know where you're going next with it- I wondered why Jenny confronts Carl so quickly with the truth when she seems to be very much planning something and working quite slowly up to that point? what is she expecting/anticipating his response to be? does she have a gameplan beyond the moment of confrontation? etc. Nice setting- unusual- and the metaphorical background makes it interesting.

Luisa at 19:24 on 08 March 2006  Report this post
Hello,

I found the setting fascinating and I enjoyed being taken into a different world. I liked the way you showed Carl's character and the effect he had on everyone almost entirely through action. I thought it was effectively and stylishly done.

Are you aiming for a Chick Lit market? If so, I would say that your language is occasionally too formal. For example:
his reputation had not been over embellished.

She could see now how Ellen had succumbed to his allure.


I agree that Jenny's announcement seemed sudden, from only having read this extract. If there hasn't been a buildup to this previously, you might want to extend this section slightly?

Good luck!

Luisa

Sam Rix at 08:14 on 09 March 2006  Report this post
Hi Anna, Luisa,

Thanks for the input, much appreciated and your points are taken fully on board.

I agree that Jenny's admission was too sudden, I'd thought as much, but thought I'd throw it out for you guy's to get a feel of the style, before I went further.

I was trying to create the twist at the end of a 1000 words as prescribed by the magazines I'd contacted.
My twist was obviously more like a savage jerk!

Luisa's point on my being too formal, cheers Luisa, 'wood for the trees' there until you mentioned it and now it's like 'Doh!'
A great example of how you need help to see where your style has to adapt for a new environment.

I am looking to a place novel in the chick lit genre, I have been playing with some juicy scenes around martial arts, based loosely on my experience in this area with the lifestyle and the relationships.

I've revisited the piece, changed a couple of formal words and made the 'jerk' a whisper in your ear, I hope.
Let me know if you spot anything else, ta.

Love and luck

Sam


Luisa at 08:41 on 09 March 2006  Report this post
Hello, Sam,

I like your new ending, and the piece is much more in the Chick Lit style now. Well done.

When I read it through again, I noticed another couple of minor things.

he’s been away in Europe
Typo - should be 'he'd'

Jenny struggled to ignore the stirring within her, she was not here for this, it was immoral for her to even let such thoughts in, she had a goal in mind, ‘stay focused’ she told herself.
I thought this needed to be more than one sentence. I'd suggest replacing a couple of the commas with full-stops and seeing where exactly you want the emphasis that a new sentence brings.

With the class over, many students left to take showers, but a small group stayed, all were black belts, they continued a few moments later with the fighting in a more exclusive clique.
As before. I think maybe the new sentence here should be after 'black belts'.

By the way:
like a kaleidoscope of living white-clad jigsaw puzzles phasing in and out of time
This is an excellent image.

Good luck with this wonderful piece. I really love the setting and the original way you've described it.

Luisa

Sam Rix at 11:34 on 09 March 2006  Report this post
HI Luisa,

Taken on board and corrected again, thanks for your help and support

Love and luck
Sam

<Added>

Anyone else?
Please give me your thoughts, so I have food for thought, thanks..
Sam

Sam Rix at 17:15 on 26 March 2006  Report this post
Hi Belinda,
Thanks for the input and advice, it’s much appreciated and valued.

‘Phasing in and out of time’, example; in combat two players seem to be in perfect symmetry and their timing is balanced as they vie for an opening. It can seem as if they are almost dancing.
There are moments in the contest where this is lost and recovered, this passage refers to the moments when one opponent is thrown in that instant when they loose focus. It has a galvanising affect.
You could be right on this being too complicated; I’ll mull it over some and try to rework the paragraph.

‘This was then where these Dan grades gained that extra ability, ‘
It was meant to be a sentence showing revelation, a simple discovery by Jenny regarding the abilities of the other Dan grades and how they gained these.
It made sense when I wrote it, but I can see what you’re on about, it kind of stumbles badly at ‘This was then’, it needs a rewrite here.
(Ta…)

The ending was a compression of the story to fit it into something of a suitable length for a magazine. The passage is from a longer story, which I’m working on, so what you say is pretty spot on.
Magazines tend to want a little sharp hook on the end of 2000 words, so that was my attempt to fit in the hole, as it were…
This story is a longer one,(several sections worked out already) but I’m desperate to get some exposure and feed back on my style. (And to see if anyone out there thinks I have any talent at all.)

Again thanks for your support
Sam


kat at 11:25 on 14 April 2006  Report this post
Good strong writing, Sam. I find every story has its own length. This does not read like a short story, the twist at the end asks more questions than it answers. It reads as the start of a longer piece or a novel and this could be the problem. Keep on with it, you have a good idea here.
Kat



Patsy at 17:54 on 28 August 2006  Report this post
Hi Sam,

I'm taking a peek from over at chick lit, and I have say you have a great start here :)
My husband is a Judo black belt, and his Dad is a 6th degree Master, so I must say you captured the feel of that world really well! Took me right back to the times I've helped out with taking money for big events, ha, ha.

Things to consider:

You have a lot of great thoughts going on in the first section where we hear and feel what Jenny is thinking, but in your dialogue, that kind of gets lost. Try reading your dialogue out loud to yourself -- it helps you pick up on what doesn't sound natural to the ear. You have a lot of qualifiers at the ends of your dialogue that you don't really need. (I do the same thing myself in first drafts!)

“Carl, this is Jenny, she started here a couple of weeks ago.” one of the instructors introduced her…

Why not tell us something about the instructor, so we can see as well as hear him/her? Maybe a name, and one visual detail?


“Hi, thanks, it looked like fun out there.” She replied, taking the hand and reminding herself that she had a duty to do.

Try breaking this up a bit: "Thanks," she replied, taking his hand. "That looked like fun out there."
Try giving us the rest of this line in a thought with the next dialogue:

“It is, maybe we can do a little sparring next time?” Carl replied.
“I’d like that.” Jenny replied, trying to stifle the anger building slowly like a creeping ice field.

"It is. Maybe we can do a little sparring next time?"
“I’d like that.” Jenny replied. His smile was so warm and genuine that she had to remind herself again of her duty. Like a creeping ice field, her anger slowly returned, and she held onto it like a lifeline.


“You know Jenny, you seem familiar, when I was fighting, I kept rechecking and trying to place your face, have we met before?”
“No, Carl we haven’t, this is the first time we've met.' Jenny admitted. God, she almost blurted it right out there! 'That he should recognise her face, she was an exact double of her mother, Ellen Mitchell, the woman who had his child!
Whoa girl, calm down. Get to know this man first, before you decide to enter his world, remember, he never knew...'


Try mixing her thoughts into the blend with her answer to his question:
She opened her mouth to reply, but just as quickly shut it again -- God, she almost blurted it right out there! 'That he should recognise her face, she was an exact double of her mother, Ellen Mitchell, the woman who had his child! Whoa girl, calm down. Get to know this man first, before you decide to enter his world, remember, he never knew...'
She opened her mouth again. "No, we haven't met."
Her answer has more impact this way, and the fewer words she uses the better, as she's mad, and can't trust herself to reply.

I hope it helps :)

Love the story
Patsy :)






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