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Shelter

by DJC 

Posted: 02 February 2006
Word Count: 443
Summary: My flash for this week.


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The winter had been harsh, even by Polish standards. The wind swept off the plain and into the camp. You needed bodies in the way, otherwise the wind would cut you in two. Those at the edge stood less chance. It was the old and the weak who ended up there, like sticks holding up a tent of meagre comfort. The trick was to get there early, to push your way to the front, so that the others had to gather around you. It was a case of working out the tricks, in order to survive.

Rudie had been at the camp for six months. His wife and son had been taken as soon as they’d arrived. He thought of them less and less now.

That morning, Rudie had woken from a dream in which he had been with his family. Anna-Lise was making pancakes. Alex was playing the piano, his slim fingers drifting over the keys, filling the room with Chopin. Rudie was in his armchair, reading the paper. Then he woke, in his cot, stiff with cold. He pushed the dream away before he’d even opened his eyes. He could not carry something like that into the camp. It would be fatal. He’d seen men fall apart with the weight of their dreams.

They gathered in the yard. The SS officers milled around, smoking. One took hold of a young girl’s hair. He dragged her away from the group and stood her beside him. She looked terrified. Rudie had seen this girl arrive, two days before. She was pretty. Some families, when they’d known they were being taken to a camp, would chop off the hair of their daughters, or worse, so they were made less attractive. It seldom worked.

The SS commandant’s voice drifted out over the group. Rudie understood none of what he said, but it made no difference. You were either alive or dead here, or at different stages in between. Words meant little, in whatever language.

As if from nowhere, a hand gripped Rudie’s arm and dragged him from the group. He looked up to see an officer staring at him. The officer spat in his face but said nothing. It was a mistake to look an officer in the eye. For a moment Rudie had forgotten himself. He cursed his stupidity.

He was lined up facing the others. He was told to kneel down. He felt something cold press into the back of his neck. He thought of his wife and son.

Then there was laughter, and he was kicked to the ground. They liked to do this, sometimes. Pretend. To them it was a game.








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Comments by other Members



Prospero at 06:33 on 02 February 2006  Report this post
Hi Darren

My first image was of a picture I once saw of sheep in a snow storm up against a dry stone wall. The caption explained that the sheep would get into the lee of the wall and then would push their way into the centre. The sheep on the edge of the flock would trot round too the back of the flock and start working their way into the centre themselves. This 'convection current' motion kept the sheep from freezing. So I originally thought your story was about sheep.

But of course it was a much sadder and sharper tale altogether.

I wish I had written this line, its fabulous.

like sticks holding up a tent of meagre comfort.


Best

John

lieslj at 06:42 on 02 February 2006  Report this post
Powerful story, Darren, and terribly bleak.

I'm feeling a disjunction between the first and second paragraph.

I felt this sentence was already implied and could be cut to accelerate the story:
He would not be one of those men.

When he thinks of his wife and son at the end, does he feel relief that he will see them soon? Does he hear the piece the child was playing at the piano? Could you intensify your ending when he is denied the death he fears and perhaps wants?

This piece has great potential.

Best,
Liesl

DJC at 07:03 on 02 February 2006  Report this post
Thanks, Liesl - I'll have a look and post a redraft.

<Added>

Okay - have done what you suggested. Know what? You're right - it is tighter this way.

D.

Cholero at 12:29 on 02 February 2006  Report this post
Darren

I like the elegant, clean style. I like the sparse, apt images. It's got all the things I like about your writing.

But I find it hard to know what to say about the story, because the subject is so severe. I just wonder if it's possible to imagine what it was like, and so I would have preferred an outsider's view maybe. I read Fateless over New Year (cheery, eh), too recently I guess, so it's hardly fair to make this comment, but no matter how well anyone does this, it can't get close to the words of someone who was there.

The winter had been harsh, even by Polish standards. The wind swept off the plain and into the camp. You needed bodies in the way, otherwise the wind would cut you in two. Those at the edge stood less chance. It was the old and the weak who ended up there, like sticks holding up a tent of meagre comfort. The trick was to get there early, to push your way to the front, so that the others had to gather around you. It was a case of working out the tricks, in order to survive.

I thought this was a beautifully written paragraph, informative, economical and
like sticks holding up a tent of meagre comfort
is a stand-out line. When lines like this come occasionally they have a lot of impact.

Could the piece end on '...kicked to the ground.'? ???

You have a knack for carrying a story smoothly which, when I look closely, is because you build good structures and I think the invisibility of that is impressive.

Pete

PS I found a lovely piece of red satin which I'm going to knock up into a leotard for me and Millicent. Any tips?

Heckyspice at 12:34 on 02 February 2006  Report this post
Darren,

This is a choker and a bloody good snapashot of immense cruelty that we should not forget happened.

IMO, one picky point was the line

You were either alive or dead here, or at different stages in between

I think you could trim it to You were either alive or dead here. The situation is a matter of survival and this might be more poignant without having a half-life reference.

Best Wishes,

David

Prospero at 12:38 on 02 February 2006  Report this post
Actually David, I must disagree with you here. I felt that the half-life was a very powerful image of being at the whim of some force that you couldn't control or predict. Utterly chilling.

Best

John

Heckyspice at 12:53 on 02 February 2006  Report this post
John,

I can appreciate your thoughts on the half life image, it is a potent idea. If Darren re-posted the work with some degree of desire spoken by the MC to become a shade or zombie so they have no pain, I think it would make the last line more heartbreaking.

David

DJC at 14:42 on 02 February 2006  Report this post
Hmmm, food for thought. I'll have a look at this bit and see how it works without the in between image. I was going for this half life thing elsewhere, with the MC not looking into the eyes of the SS guard, and him banishing the dream - both of those are supposed to communicate the MC's numbness. I wouldn't want to make this any more explicit.

Darren

ps Pete - can I recommend Women's Weekly for a really good leotard pattern? I think it was in the March 1983 edition. Have a root through your back catalogue. If not, let me know, and I'll see if I can find it.
pps are you sure about red? I've heard Millicent is more of a blues and greens kinda girl.

Dee at 19:06 on 02 February 2006  Report this post
Powerful piece, Darren.

Got slightly confused in the section on staring at the Steph officer – surely if he’d been staring at the officer he’d see him coming to grab his arm?

Otherwise, I really enjoyed this.

Dee


<Added>

Haha! Think I ought to explain… that should be SS officer. Basically, I'm a lazy sod so, on my autocorrect settings ss is a shortcut for Steph, one of the main characters in the new novel… LOL.. sorry about that.

;)


crowspark at 21:46 on 02 February 2006  Report this post
Great writing Darren, as Dee says, powerful.

Absorbing, shocking writing.

Excellent stuff.

Bill

Nikkip at 11:57 on 03 February 2006  Report this post
Could the hald life sentence be chnaged to you were neither alive nor dead here, just somewhere in between or ould that change your meaning too much?

Nikki

<Added>

that should read half life and changed and, of course, would (I promise to read before I post in future!)


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