Scars Beneath The Skin - amended Chapter One
by hopper2607
Posted: Wednesday, November 14, 2007 Word Count: 514 Summary: Thus was first uploaded on 21/10/07. Comments from Lammi, lastubbs, Steerpike's_sister, susieangela and RT104 have greatly helped in producing this amended version. Related Works: Scars Beneath The Skin - Chapter One |
There is only so much loneliness a human being can bear.
In his Munich apartment, in the dying days of September 2001, Karl Dresner waited. His hands were shaking. Salt from beads of sweat stung his eyes. A gun rested on the left hand side of the table, two bottles on the right: one of whisky, one of barbiturates. A coin glinted. The telephone across the room rang; once, twice, three times and then the answer machine cut in.
'Leave a message and I'll get back to you,' said a version of Dresner’s voice. 'Maybe.'
'Are you there, Karl? It’s Lucia.' Dresner picked up the coin. 'I'm going to keep calling. Pick up the phone please. I know you must be there. If you don't want to see me again, it's OK. But I want to know. I want to know you're OK. I need to talk to you, Karl. Please call me when you get this message. Let me know you're all right. Please.'
The tape spindles continued to rotate. The mechanism hummed. Dresner remained seated, turning the coin between his fingers: heads, tails, heads, tails ...
'I'm sure you're there. I'm sure you're listening to this.'
A click, like a safety catch being released, signalled the end of the call. A red light blinked, two heartbeats per second. One last time, thought Dresner, standing. His finger hovered over the answerphone controls. He pressed DELETE. The machine bleated in protest, the indicator continuing a pattern: dot-dot-dash, dot-dot-dash, dot-dot-dash. A Mayday, of kinds.
He flicked open the tape cover, held a spring clip back, prised the microcassette free and held it up towards the centre of the room. Why are you doing this? The lounge light shone through the gaps in the spindles. Why? He clipped the tape back into place and pressed PLAY.
'You have ... one ... new message.'
'Are you there, Karl ...?'
Three seconds of pressure on DELETE would erase every word; no bleating this time. His finger stroked the button. He brushed a speck of dust and it floated into the air.
'Are you there ...?'
No life, no sound. Perpetual dreamless night. Or give life one more chance? PLAY or DELETE?
'Karl?'
#
There was no outside world any more; at least, not a world that mattered. All that remained was a woman's voice preserved on magnetic tape. Where have you come from? Why are you making this difficult for me? We're strangers - you have no right.
He was seated at the table again. The microcassette on the right. The gun, the barbiturates, the whisky on the left, forming a triangle. In the centre, between the two poles, the coin marked the borderline. Heads or tails?
It seemed like a lifetime's journey had brought him to this place, yet it was only five years. Five years since the event that started it all; less than a month since the attack in New York that had brought the memories back. He remembered a voice, a woman's voice, calling out his name, and water whipped into flecks of white.
In his Munich apartment, in the dying days of September 2001, Karl Dresner waited. His hands were shaking. Salt from beads of sweat stung his eyes. A gun rested on the left hand side of the table, two bottles on the right: one of whisky, one of barbiturates. A coin glinted. The telephone across the room rang; once, twice, three times and then the answer machine cut in.
'Leave a message and I'll get back to you,' said a version of Dresner’s voice. 'Maybe.'
'Are you there, Karl? It’s Lucia.' Dresner picked up the coin. 'I'm going to keep calling. Pick up the phone please. I know you must be there. If you don't want to see me again, it's OK. But I want to know. I want to know you're OK. I need to talk to you, Karl. Please call me when you get this message. Let me know you're all right. Please.'
The tape spindles continued to rotate. The mechanism hummed. Dresner remained seated, turning the coin between his fingers: heads, tails, heads, tails ...
'I'm sure you're there. I'm sure you're listening to this.'
A click, like a safety catch being released, signalled the end of the call. A red light blinked, two heartbeats per second. One last time, thought Dresner, standing. His finger hovered over the answerphone controls. He pressed DELETE. The machine bleated in protest, the indicator continuing a pattern: dot-dot-dash, dot-dot-dash, dot-dot-dash. A Mayday, of kinds.
He flicked open the tape cover, held a spring clip back, prised the microcassette free and held it up towards the centre of the room. Why are you doing this? The lounge light shone through the gaps in the spindles. Why? He clipped the tape back into place and pressed PLAY.
'You have ... one ... new message.'
'Are you there, Karl ...?'
Three seconds of pressure on DELETE would erase every word; no bleating this time. His finger stroked the button. He brushed a speck of dust and it floated into the air.
'Are you there ...?'
No life, no sound. Perpetual dreamless night. Or give life one more chance? PLAY or DELETE?
'Karl?'
#
There was no outside world any more; at least, not a world that mattered. All that remained was a woman's voice preserved on magnetic tape. Where have you come from? Why are you making this difficult for me? We're strangers - you have no right.
He was seated at the table again. The microcassette on the right. The gun, the barbiturates, the whisky on the left, forming a triangle. In the centre, between the two poles, the coin marked the borderline. Heads or tails?
It seemed like a lifetime's journey had brought him to this place, yet it was only five years. Five years since the event that started it all; less than a month since the attack in New York that had brought the memories back. He remembered a voice, a woman's voice, calling out his name, and water whipped into flecks of white.